Work Song - Ivan Doig [30]
In short, work of this sort fit me from head to toe. I could even put up with sharing office space with Sandison, as his chain-lightning moods kept a person alert. The old saying had his name on it: he may have been hard to get along with, but harder to get along without.
The library ran on one principle: Samuel S. Sandison was next to God. Whether above or below, opinions varied. His style of administration was as effective as it was unpredictable. For hours on end he would stay holed up in the office, apparently oblivious to anything happening elsewhere in the building. Then without warning he would barge out of his lair and prowl from floor to floor, wearing the expression of a man who took pleasure in kicking puppies. The result was an amazing library: the staff was on its toes every second, and its offerings were, of course, first-rate. I have to say, the man responsible for all this was not exactly an officemate easy on the nerves. The only mirth Sandison showed was when he spotted a bargain book in some catalogue of rarities and he would let out a “Heh!” and smile beneath his wreath of beard. Mostly, being around him was like having the Grand Inquisitor grading one’s homework.
“Goldsmith,” he characteristically would snap over his shoulder from where he was enthroned in his desk chair, and I had mere seconds to figure out whether he meant for me to trot across town to the dealer in fine metals or commence a conversation about the poet of England’s peasantry.
Guessing, I recited: “ ‘Ill fares the land, to hastening ills a prey / Where wealth accumulates, and men decay.’ Rather daring for his day, wouldn’t you say, Sandy?”
“Romantic twaddle about how nice it was to live in huts, I’d call those elegies of his.”
“That’s too dry a reading of him,” I protested. “He had a wicked wit. Who else would have said of Garrick that onstage he was wonderfully simple and natural, it was only when he was off that he was acting?”
That brought a snort. “Doesn’t mean old Goldilocks could tell a hoe from a hole in the ground. Robert Louis Stevenson, now, he knew his stuff about how life really is.” And with that, Oliver Goldsmith, or whomever, would be consigned to the vast second rank and remain unbought.
“Morgan?” The dubious drawl that met me this particular day told me I was in for another assignment of the Sandison sort. “You started something with those music stands. Now Miss Runyon claims she can’t function unless she has a corkboard on a tripod to pin pictures on for the kids’ story hour. Go down there and see what you can rig up.”
As I was passing his desk, he looked askance at me over one of the catalogues of rare books that were perpetually open in front of him. “Oxford flannel?”
“Serge.” I brushed a bit of lint off the new blue suit. “Like it?”
“You look like an undertaker.”
Down the stairs I went, past Miss Runyon’s cold eye, to the spacious meeting room all the way in the basement. The basement had originally been intended as an armory, and its thick walls made it a fine auditorium, no sounds escaping to the outside. You could about hear the spirited echoes of the Shakespeareans and the philosophical ones of the Theosophists lingering amid the pale plaster foliage of the scrollwork around the top of the walls. A curtained stage presided across one end of the room, and at the other stood a spacious supply cabinet. I was rooting around in the cabinet for anything resembling corkboard and a tripod when I heard the entry door swish closed in back of me.
I glanced over my shoulder and there the two of them were,