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Works of Aeschylus from MobileReference


The Oresteia (458 BC):

Agamemnon Translated by E. D. A. Morshead

The Libation Bearers (also known as Choephoroi) Translated by E. D. A. Morshead

The Eumenides (also known as The Furies) Translated by E. D. A. Morshead

Other Plays:

The Persians (472 BC) Translated by Robert Potter

Seven Against Thebes (467 BC) Translated by E. D. A. Morshead

The Suppliants (also known as The Suppliant Maidens) (463 BC) Translated by E. D. A. Morshead

Prometheus Bound (precise date unknown) Translated by G. M. Cookson

Appendix:

Aeschylus Biography

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Agamemnon


by Aeschylus


Translated by E. D. A. Morshead

Electronically Developed by MobileReference

Aeschylus Biography

Dramatis Personae A Watchman

A Herald

Chorus

Agamemnon

Aegisthus

Clytemnestra

Cassandra

Drama The Scene is the Palace of Atreus at Mycenae. In front of the Palace stand statues of the gods, and altars prepared for sacrifices.

A Watchman:

I pray the gods to quit me of my toils,

To close the watch I keep, this livelong year;

For as a watch-dog lying, not at rest,

Propped on one arm, upon the palace-roof

Of Atreus' race, too long, too well I know

The starry conclave of the midnight sky,

Too well, the splendours of the firmament,

The lords of light, whose kingly aspect shows--

What time they set or climb the sky in turn--

The year's divisions, bringing frost or fire.

And now, as ever, am I set to mark

When shall stream up the glow of signal-flame,

The bale-fire bright, and tell its Trojan tale--

"Troy town is ta'en:" such issue holds in hope

She in whose woman's breast beats heart of man.

Thus upon mine unrestful couch I lie,

Bathed with the dews of night, unvisited

By dreams--ah me!--for in the place of sleep

Stands Fear as my familiar, and repels

The soft repose that would mine eyelids seal.

And if at whiles, for the lost balm of sleep,

I medicine my soul with melody

Of trill or song--anon to tears I turn,

Wailing the woe that broods upon this home,

Not now by honour guided as of old.

But now at last fair fall the welcome hour

That sets me free, whene'er the thick night glow

With beacon-fire of hope deferred no more.

All hail!

A beacon-light is seen reddening the distant sky.

Fire of the night, that brings my spirit day,

Shedding on Argos light, and dance, and song,

Greetings to fortune, hail!

Let my loud summons ring within the ears

Of Agamemnon's queen, that she anon

Start from her couch and with a shrill voice cry

A joyous welcome to the beacon-blaze,

For Ilion's fall; such fiery message gleams

From yon high flame; and I, before the rest,

Will foot the lightsome measure of our joy;

For I can say, "My master's dice fell fair--

Behold! the triple sice, the lucky flame!"

Now be my lot to clasp, in loyal love,

The hand of him restored, who rules our home:

Home--but I say no more: upon my tongue

Treads hard the ox o' the adage.

Had it voice,

The home itself might soothliest tell its tale;

I, of set will, speak words the wise may learn,

To others, nought remember nor discern.

Exit. The chorus of old men of Mycenae enter, each leaning on a staff. During their song Clytemnestra appears in the background, kindling the altars.

Chorus:

Ten livelong years have rolled away,

Since the twin lords of sceptred sway,

By Zeus endowed with pride of place,

The doughty chiefs of Atreus' race,

Went forth of yore,

To plead with Priam, face to face,

Before the judgment-seat of War!

A thousand ships from Argive land

Put forth to bear the martial band,

That with a spirit stern and strong

Went out to right the kingdom's wrong--

Pealed, as they went, the battle-song,

Wild as the vultures' cry;

When o'er the eyrie, soaring high,

In wild bereavèd agony,

Around, around, in airy rings,

They wheel with oarage of their wings,

But not the eyas-brood behold,

That called them to the nest of old;

But let Apollo from the sky,

Or Pan, or Zeus, but hear the cry,

The exile cry, the wail forlorn,

Of birds from whom their home is torn--

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