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Works of Aeschylus - Aeschylus [101]

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a major Greek city on the eastern side of the island. By 473 BC, after the death of Phrynichus, one of his chief rivals, Aeschylus was the yearly favorite in the Dionysia, winning first prize in nearly every competition. In 458 BC, he returned to Sicily for the last time, visiting the city of Gela where he died in 456 or 455 BC. As legend has it, an eagle, mistaking the playwright's bald crown for a stone, dropped a tortoise on his head (though some accounts differ, claiming it was a stone dropped by an eagle or vulture that mistook his bald head for the egg of a flightless bird). This incident may not be as unlikely as it seems, as the Lammergeier is native to the Mediterranean region - a large eagle-like vulture known to drop bones and tortoises on rocks to break them open. Aeschylus would continue to be honored by the Athenians, who respected his work so highly that they allowed other playwrights to reproduce his plays as part of the Dionysia rather than presenting original works of their own. His sons Euphorion and Euæon and his nephew Philocles would follow in his footsteps and become playwrights themselves.

The inscription on Aeschylus' gravestone makes no mention of his theatrical renown, commemorating only his military achievements:

This tomb the dust of Aeschylus doth hide,

Euphorion's son and fruitful Gela's pride

How tried his valour, Marathon may tell

And long-haired Medes, who knew it all too well.

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Modern picture of the Theatre of Dionysus in Athens, where many of Aeschylus' plays were performed

The Greek art of the drama had its roots in religious festivals for the gods, chiefly Dionysus, the god of wine. During Aeschylus' lifetime, dramatic competitions became part of the City Dionysia in the spring. The festival began with an opening procession, continued with a competition of boys singing dithyrambs, and culminated in a pair of dramatic competitions. The first competition, which Aeschylus would have participated in, was for the tragedians, and consisted of three playwrights each presenting three tragic plays followed by a shorter comedic satyr play. A second competition of five comedic playwrights followed, and the winners of both competitions were chosen by a panel of judges.

Aeschylus entered many of these competitions in his lifetime, and it is estimated that he wrote some 70 to 90 plays. Only seven tragedies have survived intact: The Persians, Seven against Thebes, The Suppliants, the trilogy known as The Oresteia, consisting of the three tragedies Agamemnon, The Libation Bearers and The Eumenides, and Prometheus Bound (whose authorship is disputed). With the exception of this last play-the success of which is uncertain-all of Aeschylus' extant tragedies are known to have won first prize at the City Dionysia. The Alexandrian Life of Aeschylus indicates that the playwright took the first prize at the City Dionysia thirteen times. This compares favorably with Sophocles' reported eighteen victories (with a substantially larger catalogue, at an estimated 120 plays), and dwarfs the five victories of Euripides (who featured a catalogue of roughly 90 plays).

One hallmark of Aeschylean dramaturgy appears to have been his tendency to write connected trilogies in which each play serves as a chapter in a continuous dramatic narrative. The Oresteia is the only wholly extant example of this type of connected trilogy, but there is ample evidence that Aeschylus wrote such trilogies often. The comic satyr plays that would follow his dramatic trilogies often treated a related mythic topic. For example, the Oresteia's satyr play Proteus treated the story of Menelaus's detour in Egypt on his way home from the Trojan War. Based on the evidence provided by a catalogue of Aeschylean play titles, scholia, and play fragments recorded by later authors, it is assumed that three other of Aeschylus' extant plays were components of connected trilogies: Seven against Thebes being the final play in an Oedipus trilogy, and The Suppliants and Prometheus Bound each being the first play in a Danaid trilogy and Prometheus

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