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Works of Booker T. Washington - Booker T. Washington [210]

By Root 2009 0
will gradually solve itself.

I have spoken of "men and women," and indeed the women must not be forgotten, for to them the men look for much of the inspiration and impulse that drives them forward to success. Mrs. Mary Church Terrell upon the platform speaking for Negro womanhood and Miss Sarah Brown, her direct opposite, a little woman sitting up in her aerie above a noisy New York street, stand for the very best that there is in our mothers, wives and sisters. The one fully in the public eye, with learning and eloquence, telling the hopes and fears of her kind; the other in suffering and retirement, with her knowledge of the human heart and her gentleness inspiring all who meet her to better and nobler lives. They are both doing their work bravely and grandly. But when the unitiate ask who is "la Petite Reine," we think of the quiet little woman in a New York fifth floor back and are silent.

She is a patron of all our literature and art and we have both. Whether it is a new song by Will Marion Cook or a new book by DuBois or Chestnut, than whom no one has ever told the life of the Negro more accurately and convincingly, she knows it and has a kindly word of praise or encouragement.

In looking over the field for such an article as this, one just begins to realize how many Negroes are representative of something, and now it seems that in closing no better names could be chosen than those of the two Tanners.

From time immemorial, Religion and Art have gone together, but it remained for us to place them in the persons of these two men, in the relation of father and son. Bishop Benj. Tucker Tanner, of the A.M.E. Church, is not only a theologian and a priest, he is a dignified, polished man of the higher world and a poet. He has succeeded because he was prepared for success. As to his writings, he will, perhaps, think most highly of "His Apology For African Methodism;" but some of us, while respecting this, will turn from it to the poems and hymns that have sung themselves out of his gentle heart.

Is it any wonder that his son, Henry O. Tanner, is a poet with the brush or that the French Government has found it out? From the father must have come the man's artistic impulse, and he carried it on and on to a golden fruition. In the Luxembourg gallery hangs his picture, "The Raising of Lazarus." At the Academy of Fine Arts, Philadelphia, I saw his "Annunciation," both a long way from his "Banjo Lesson," and thinking of him I began to wonder whether, in spite of all the industrial tumult, it were not in the field of art, music and literature that the Negro was to make his highest contribution to American civilization. But this is merely a question which time will answer.

All these of whom I have spoken are men who have striven and achieved and the reasons underlying their success are the same that account for the advancement of men of any other race: preparation, perseverance, bravery, patience, honesty and the power to seize the opportunity.

It is a little dark still, but there are warnings of the day and somewhere out of the darkness a bird is singing to the Dawn.

The Negro's Place in American Life at the Present Day

BY T. THOMAS FORTUNE

Considering the two hundred and forty-five years of his slavery and the comparatively short time he has enjoyed the opportunities of freedom, his place in American life at the present day is creditable to him and promising for the future.

T. THOMAS FORTUNE.

There can be no healthy growth in the life of a race or a nation without a self-reliant spirit animating the whole body; if it amounts to optimism, devoid of egotism and vanity, so much the better. This spirit necessarily carries with it intense pride of race, or of nation, as the case may be, and ramifies the whole mass, inspiring and shaping its thought and effort, however humble or exalted these may be,—as it takes "all sorts and conditions of men" to make up a social order, instinct with the ambition and the activity which work for "high thinking and right living," of which modern evolution in all directions is the most powerful

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