Works of Charles Dickens - Charles Dickens [2092]
This might have applied to the sketcher no less than to the sketch; but Mr Carker's manner was openness itself - not as to his mouth alone, but as to his whole spirit. So it continued to be while the drawing was laid aside for Mr Dombey, and while the sketching materials were put up; then he handed in the pencils (which were received with a distant acknowledgment of his help, but without a look), and tightening his rein, fell back, and followed the carriage again.
Thinking, perhaps, as he rode, that even this trivial sketch had been made and delivered to its owner, as if it had been bargained for and bought. Thinking, perhaps, that although she had assented with such perfect readiness to his request, her haughty face, bent over the drawing, or glancing at the distant objects represented in it, had been the face of a proud woman, engaged in a sordid and miserable transaction. Thinking, perhaps, of such things: but smiling certainly, and while he seemed to look about him freely, in enjoyment of the air and exercise, keeping always that sharp corner of his eye upon the carriage.
A stroll among the haunted ruins of Kenilworth, and more rides to more points of view: most of which, Mrs Skewton reminded Mr Dombey, Edith had already sketched, as he had seen in looking over her drawings: brought the day's expedition to a close. Mrs Skewton and Edith were driven to their own lodgings; Mr Carker was graciously invited by Cleopatra to return thither with Mr Dombey and the Major, in the evening, to hear some of Edith's music; and the three gentlemen repaired to their hotel to dinner.
The dinner was the counterpart of yesterday's, except that the Major was twenty-four hours more triumphant and less mysterious. Edith was toasted again. Mr Dombey was again agreeably embarrassed. And Mr Carker was full of interest and praise.
There were no other visitors at Mrs Skewton's. Edith's drawings were strewn about the room, a little more abundantly than usual perhaps; and Withers, the wan page, handed round a little stronger tea. The harp was there; the piano was there; and Edith sang and played. But even the music was played by Edith to Mr Dombey's order, as it were, in the same uncompromising way. As thus.
'Edith, my dearest love,' said Mrs Skewton, half an hour after tea, 'Mr Dombey is dying to hear you, I know.'
'Mr Dombey has life enough left to say so for himself, Mama, I have no doubt.'
'I shall be immensely obliged,' said Mr Dombey.
'What do you wish?'
'Piano?' hesitated Mr Dombey.
'Whatever you please. You have only to choose.
Accordingly, she began with the piano. It was the same with the harp; the same with her singing; the same with the selection of the pieces that she sang and played. Such frigid and constrained, yet prompt and pointed acquiescence with the wishes he imposed upon her, and on no one else, was sufficiently remarkable to penetrate through all the mysteries of picquet, and impress itself on Mr Carker's keen attention. Nor did he lose sight of the fact that Mr Dombey was evidently proud of his power, and liked to show it.
Nevertheless, Mr Carker played so well - some games with the Major, and some with Cleopatra, whose vigilance of eye in respect of Mr Dombey and Edith no lynx could have surpassed - that he even heightened his position in the lady-mother's good graces; and when on taking leave he regretted that he would be obliged to return to London next morning, Cleopatra trusted: community of feeling not being met with every day: that it was far from being the last time they would meet.
'I hope so,' said Mr Carker, with an expressive look at the couple in the distance, as he drew towards the door, following the Major. 'I think so.'
Mr Dombey, who had taken a stately leave of Edith, bent, or made some approach to a bend, over Cleopatra's couch, and said, in a low voice:
'I have requested Mrs Granger's permission to call on her to-morrow morning - for a purpose - and she has appointed twelve