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that a dreadful secret was connected with it; a secret which he knew, and yet did not know, for although he was heavily responsible for it, and a party to it, he was harassed even in his vision by a distracting uncertainty in reference to its import. Incoherently entwined with this dream was another, which represented it as the hiding-place of an enemy, a shadow, a phantom; and made it the business of his life to keep the terrible creature closed up, and prevent it from forcing its way in upon him. With this view Nadgett, and he, and a strange man with a bloody smear upon his head (who told him that he had been his playfellow, and told him, too, the real name of an old schoolmate, forgotten until then), worked with iron plates and nails to make the door secure; but though they worked never so hard, it was all in vain, for the nails broke, or changed to soft twigs, or what was worse, to worms, between their fingers; the wood of the door splintered and crumbled, so that even nails would not remain in it; and the iron plates curled up like hot paper. All this time the creature on the other side--whether it was in the shape of man, or beast, he neither knew nor sought to know--was gaining on them. But his greatest terror was when the man with the bloody smear upon his head demanded of him if he knew this creatures name, and said that he would whisper it. At this the dreamer fell upon his knees, his whole blood thrilling with inexplicable fear, and held his ears. But looking at the speaker's lips, he saw that they formed the utterance of the letter 'J'; and crying out aloud that the secret was discovered, and they were all lost, he awoke.

Awoke to find Jonas standing at his bedside watching him. And that very door wide open.

As their eyes met, Jonas retreated a few paces, and Montague sprang out of bed.

'Heyday!' said Jonas. 'You're all alive this morning.'

'Alive!' the other stammered, as he pulled the bell-rope violently. 'What are you doing here?'

'It's your room to be sure,' said Jonas; 'but I'm almost inclined to ask you what YOU are doing here? My room is on the other side of that door. No one told me last night not to open it. I thought it led into a passage, and was coming out to order breakfast. There's--there's no bell in my room.'

Montague had in the meantime admitted the man with his hot water and boots, who hearing this, said, yes, there was; and passed into the adjoining room to point it out, at the head of the bed.

'I couldn't find it, then,' said Jonas; 'it's all the same. Shall I order breakfast?'

Montague answered in the affirmative. When Jonas had retired, whistling, through his own room, he opened the door of communication, to take out the key and fasten it on the inner side. But it was taken out already.

He dragged a table against the door, and sat down to collect himself, as if his dreams still had some influence upon his mind.

'An evil journey,' he repeated several times. 'An evil journey. But I'll travel home alone. I'll have no more of this.'

His presentiment, or superstition, that it was an evil journey, did not at all deter him from doing the evil for which the journey was undertaken. With this in view, he dressed himself more carefully than usual to make a favourable impression on Mr Pecksniff; and, reassured by his own appearance, the beauty of the morning, and the flashing of the wet boughs outside his window in the merry sunshine, was soon sufficiently inspirited to swear a few round oaths, and hum the fag-end of a song.

But he still muttered to himself at intervals, for all that: 'I'll travel home alone!'

CHAPTER FORTY-THREE

HAS AN INFLUENCE ON THE FORTUNES OF SEVERAL PEOPLE. MR PECKSNIFF IS EXHIBITED IN THE PLENITUDE OF POWER; AND WIELDS THE SAME WITH FORTITUDE AND MAGNANIMITY

On the night of the storm, Mrs Lupin, hostess of the Blue Dragon, sat by herself in her little bar. Her solitary condition, or the bad weather, or both united, made Mrs Lupin thoughtful, not to say sorrowful. As she sat with her chin upon her hand, looking out through a low back lattice, rendered dim in the

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