Works of Charles Dickens - Charles Dickens [4054]
Is this like life? Change the scene to any real street;--to the Stock Exchange, or the City banker's; the merchant's counting- house, or even the tradesman's shop. See any one of these men fall,--the more suddenly, and the nearer the zenith of his pride and riches, the better. What a wild hallo is raised over his prostrate carcase by the shouting mob; how they whoop and yell as he lies humbled beneath them! Mark how eagerly they set upon him when he is down; and how they mock and deride him as he slinks away. Why, it is the pantomime to the very letter.
Of all the pantomimic dramatis personae, we consider the pantaloon the most worthless and debauched. Independent of the dislike one naturally feels at seeing a gentleman of his years engaged in pursuits highly unbecoming his gravity and time of life, we cannot conceal from ourselves the fact that he is a treacherous, worldly- minded old villain, constantly enticing his younger companion, the clown, into acts of fraud or petty larceny, and generally standing aside to watch the result of the enterprise. If it be successful, he never forgets to return for his share of the spoil; but if it turn out a failure, he generally retires with remarkable caution and expedition, and keeps carefully aloof until the affair has blown over. His amorous propensities, too, are eminently disagreeable; and his mode of addressing ladies in the open street at noon-day is down-right improper, being usually neither more nor less than a perceptible tickling of the aforesaid ladies in the waist, after committing which, he starts back, manifestly ashamed (as well he may be) of his own indecorum and temerity; continuing, nevertheless, to ogle and beckon to them from a distance in a very unpleasant and immoral manner.
Is there any man who cannot count a dozen pantaloons in his own social circle? Is there any man who has not seen them swarming at the west end of the town on a sunshiny day or a summer's evening, going through the last-named pantomimic feats with as much liquorish energy, and as total an absence of reserve, as if they were on the very stage itself? We can tell upon our fingers a dozen pantaloons of our acquaintance at this moment--capital pantaloons, who have been performing all kinds of strange freaks, to the great amusement of their friends and acquaintance, for years past; and who to this day are making such comical and ineffectual attempts to be young and dissolute, that all beholders are like to die with laughter.
Take that old gentleman who has just emerged from the Cafe de l'Europe in the Haymarket, where he has been dining at the expense of the young man upon town with whom he shakes hands as they part at the door of the tavern. The affected warmth of that shake of the hand, the courteous nod, the obvious recollection of the dinner, the