Works of Charles Dickens - Charles Dickens [4168]
'This is better,' says Mr. Crisparkle, stopping at the steps of his own door to shake hands, 'than I could have hoped.'
'Why, naturally,' returns Jasper. 'You had but little reason to hope that I should become more like yourself. You are always training yourself to be, mind and body, as clear as crystal, and you always are, and never change; whereas I am a muddy, solitary, moping weed. However, I have got over that mope. Shall I wait, while you ask if Mr. Neville has left for my place? If not, he and I may walk round together.'
'I think,' says Mr. Crisparkle, opening the entrance-door with his key, 'that he left some time ago; at least I know he left, and I think he has not come back. But I'll inquire. You won't come in?'
'My company wait,' said Jasper, with a smile.
The Minor Canon disappears, and in a few moments returns. As he thought, Mr. Neville has not come back; indeed, as he remembers now, Mr. Neville said he would probably go straight to the gatehouse.
'Bad manners in a host!' says Jasper. 'My company will be there before me! What will you bet that I don't find my company embracing?'
'I will bet--or I would, if ever I did bet,' returns Mr. Crisparkle, 'that your company will have a gay entertainer this evening.'
Jasper nods, and laughs good-night!
He retraces his steps to the Cathedral door, and turns down past it to the gatehouse. He sings, in a low voice and with delicate expression, as he walks along. It still seems as if a false note were not within his power to-night, and as if nothing could hurry or retard him. Arriving thus under the arched entrance of his dwelling, he pauses for an instant in the shelter to pull off that great black scarf, and bang it in a loop upon his arm. For that brief time, his face is knitted and stern. But it immediately clears, as he resumes his singing, and his way.
And so HE goes up the postern stair.
The red light burns steadily all the evening in the lighthouse on the margin of the tide of busy life. Softened sounds and hum of traffic pass it and flow on irregularly into the lonely Precincts; but very little else goes by, save violent rushes of wind. It comes on to blow a boisterous gale.
The Precincts are never particularly well lighted; but the strong blasts of wind blowing out many of the lamps (in some instances shattering the frames too, and bringing the glass rattling to the ground), they are unusually dark to-night. The darkness is augmented and confused, by flying dust from the earth, dry twigs from the trees, and great ragged fragments from the rooks' nests up in the tower. The trees themselves so toss and creak, as this tangible part of the darkness madly whirls about, that they seem in peril of being torn out of the earth: while ever and again a crack, and a rushing fall, denote that some large branch has yielded to the storm.
Not such power of wind has blown for many a winter night. Chimneys topple in the streets, and people hold to posts and corners, and to one another, to keep themselves upon their feet. The violent rushes abate not, but increase in frequency and fury until at midnight, when the streets are empty, the storm goes thundering along them, rattling at all the latches, and tearing at all the shutters, as if warning the people to get up and fly with it, rather than have the roofs brought down upon their brains.
Still, the red light burns steadily. Nothing is steady but the red light.
All through the night the wind blows, and abates not. But early in the morning, when there is barely enough light in the east to dim the stars, it begins to lull. From that time, with occasional wild charges, like a wounded monster dying, it drops and sinks; and at full daylight it is dead.
It is then seen that the hands of the Cathedral clock are torn