Works of Charles Dickens - Charles Dickens [4199]
Rosa looked at him as if she would have liked him to be the recipient of a thousand dedications.
'Which again, naturally, rubs against the grain of Mr. Bazzard,' said Mr. Grewgious. 'He is very short with me sometimes, and then I feel that he is meditating, "This blockhead is my master! A fellow who couldn't write a tragedy on pain of death, and who will never have one dedicated to him with the most complimentary congratulations on the high position he has taken in the eyes of posterity!" Very trying, very trying. However, in giving him directions, I reflect beforehand: "Perhaps he may not like this," or "He might take it ill if I asked that;" and so we get on very well. Indeed, better than I could have expected.'
'Is the tragedy named, sir?' asked Rosa.
'Strictly between ourselves,' answered Mr. Grewgious, 'it has a dreadfully appropriate name. It is called The Thorn of Anxiety. But Mr. Bazzard hopes--and I hope--that it will come out at last.'
It was not hard to divine that Mr. Grewgious had related the Bazzard history thus fully, at least quite as much for the recreation of his ward's mind from the subject that had driven her there, as for the gratification of his own tendency to be social and communicative.
'And now, my dear,' he said at this point, 'if you are not too tired to tell me more of what passed to-day--but only if you feel quite able--I should be glad to hear it. I may digest it the better, if I sleep on it to-night.'
Rosa, composed now, gave him a faithful account of the interview. Mr. Grewgious often smoothed his head while it was in progress, and begged to be told a second time those parts which bore on Helena and Neville. When Rosa had finished, he sat grave, silent, and meditative for a while.
'Clearly narrated,' was his only remark at last, 'and, I hope, clearly put away here,' smoothing his head again. 'See, my dear,' taking her to the open window, 'where they live! The dark windows over yonder.'
'I may go to Helena to-morrow?' asked Rosa.
'I should like to sleep on that question to-night,' he answered doubtfully. 'But let me take you to your own rest, for you must need it.'
With that Mr. Grewgious helped her to get her hat on again, and hung upon his arm the very little bag that was of no earthly use, and led her by the hand (with a certain stately awkwardness, as if he were going to walk a minuet) across Holborn, and into Furnival's Inn. At the hotel door, he confided her to the Unlimited head chambermaid, and said that while she went up to see her room, he would remain below, in case she should wish it exchanged for another, or should find that there was anything she wanted.
Rosa's room was airy, clean, comfortable, almost gay. The Unlimited had laid in everything omitted from the very little bag (that is to say, everything she could possibly need), and Rosa tripped down the great many stairs again, to thank her guardian for his thoughtful and affectionate care of her.
'Not at all, my dear,' said Mr. Grewgious, infinitely gratified; 'it is I who thank you for your charming confidence and for your charming company. Your breakfast will be provided for you in a neat, compact, and graceful little sitting-room (appropriate to your figure), and I will come to you at ten o'clock in the morning. I hope you don't feel very strange indeed, in this strange place.'
'O no, I feel so safe!'
'Yes, you may be sure that the stairs are fire-proof,' said Mr. Grewgious, 'and that any outbreak of the devouring element would be perceived and suppressed by the watchmen.'
'I did not mean that,' Rosa replied. 'I mean, I feel so safe from him.'
'There is a stout gate of iron bars to keep