Works of Charles Dickens - Charles Dickens [44]
He handled his text in all kinds of ways, and twisted it into all manner of shapes; but always ingeniously, and with a rude eloquence, well adapted to the comprehension of his hearers. Indeed if I be not mistaken, he studied their sympathies and understandings much more than the display of his own powers. His imagery was all drawn from the sea, and from the incidents of a seaman's life; and was often remarkably good. He spoke to them of 'that glorious man, Lord Nelson,' and of Collingwood; and drew nothing in, as the saying is, by the head and shoulders, but brought it to bear upon his purpose, naturally, and with a sharp mind to its effect. Sometimes, when much excited with his subject, he had an odd way - compounded of John Bunyan, and Balfour of Burley - of taking his great quarto Bible under his arm and pacing up and down the pulpit with it; looking steadily down, meantime, into the midst of the congregation. Thus, when he applied his text to the first assemblage of his hearers, and pictured the wonder of the church at their presumption in forming a congregation among themselves, he stopped short with his Bible under his arm in the manner I have described, and pursued his discourse after this manner:
'Who are these - who are they - who are these fellows? where do they come from? Where are they going to? - Come from! What's the answer?' - leaning out of the pulpit, and pointing downward with his right hand: 'From below!' - starting back again, and looking at the sailors before him: 'From below, my brethren. From under the hatches of sin, battened down above you by the evil one. That's where you came from!' - a walk up and down the pulpit: 'and where are you going' - stopping abruptly: 'where are you going? Aloft!' - very softly, and pointing upward: 'Aloft!' - louder: 'aloft!' - louder still: 'That's where you are going - with a fair wind, - all taut and trim, steering direct for Heaven in its glory, where there are no storms or foul weather, and where the wicked cease from troubling, and the weary are at rest.' - Another walk: 'That's where you're going to, my friends. That's it. That's the place. That's the port. That's the haven. It's a blessed harbour - still water there, in all changes of the winds and tides; no driving ashore upon the rocks, or slipping your cables and running out to sea, there: Peace - Peace - Peace - all peace!' - Another walk, and patting the Bible under his left arm: 'What! These fellows are coming from the wilderness, are they? Yes. From the dreary, blighted wilderness of Iniquity, whose only crop is Death. But do they lean upon anything - do they lean upon nothing, these poor seamen?' - Three raps upon the Bible: 'Oh yes. - Yes. - They lean upon the arm of their Beloved' - three more raps: 'upon the arm of their Beloved'