Works of Charles Dickens - Charles Dickens [5073]
And thus the night crept slowly on. Oliver lay awake for some time, counting the little circles of light which the reflection of the rushlight-shade threw upon the ceiling; or tracing with his languid eyes the intricate pattern of the paper on the wall. The darkness and the deep stillness of the room were very solemn; as they brought into the boy's mind the thought that death had been hovering there, for many days and nights, and might yet fill it with the gloom and dread of his awful presence, he turned his face upon the pillow, and fervently prayed to Heaven.
Gradually, he fell into that deep tranquil sleep which ease from recent suffering alone imparts; that calm and peaceful rest which it is pain to wake from. Who, if this were death, would be roused again to all the struggles and turmoils of life; to all its cares for the present; its anxieties for the future; more than all, its weary recollections of the past!
It had been bright day, for hours, when Oliver opened his eyes; he felt cheerful and happy. The crisis of the disease was safely past. He belonged to the world again.
In three days' time he was able to sit in an easy-chair, well propped up with pillows; and, as he was still too weak to walk, Mrs. Bedwin had him carried downstairs into the little housekeeper's room, which belonged to her. Having him set, here, by the fire-side, the good old lady sat herself down too; and, being in a state of considerable delight at seeing him so much better, forthwith began to cry most violently.
'Never mind me, my dear,' said the old lady; 'I'm only having a regular good cry. There; it's all over now; and I'm quite comfortable.'
'You're very, very kind to me, ma'am,' said Oliver.
'Well, never you mind that, my dear,' said the old lady; 'that's got nothing to do with your broth; and it's full time you had it; for the doctor says Mr. Brownlow may come in to see you this morning; and we must get up our best looks, because the better we look, the more he'll be pleased.' And with this, the old lady applied herself to warming up, in a little saucepan, a basin full of broth: strong enough, Oliver thought, to furnish an ample dinner, when reduced to the regulation strength, for three hundred and fifty paupers, at the lowest computation.
'Are you fond of pictures, dear?' inquired the old lady, seeing that Oliver had fixed his eyes, most intently, on a portrait which hung against the wall; just opposite his chair.
'I don't quite know, ma'am,' said Oliver, without taking his eyes from the canvas; 'I have seen so few that I hardly know. What a beautiful, mild face that lady's is!'
'Ah!' said the old lady, 'painters always make ladies out prettier than they are, or they wouldn't get any custom, child. The man that invented the machine for taking likenesses might have known that would never succeed; it's a deal too honest. A deal,' said the old lady, laughing very heartily at her own acuteness.
'Is--is that a likeness, ma'am?' said Oliver.
'Yes,' said the old lady, looking up for a moment from the broth; 'that's a portrait.'
'Whose, ma'am?' asked Oliver.
'Why, really, my dear, I don't know,' answered the old lady in a good-humoured manner. 'It's not a likeness of anybody that you or I know, I expect. It seems to strike your fancy, dear.'
'It is so pretty,' replied Oliver.
'Why, sure you're not afraid of it?' said the old lady: observing in great surprise, the look of awe with which the child regarded the painting.
'Oh no, no,' returned Oliver quickly; 'but the eyes look so sorrowful; and where I sit, they seem fixed upon me. It makes my heart beat,' added Oliver in a low voice, 'as if it was alive, and wanted to speak to me, but couldn't.'
'Lord save us!' exclaimed the old lady, starting; 'don't talk in that way, child.