Works of Charles Dickens - Charles Dickens [5286]
One thing only, was clear to the girl's mind. Accustomed from her very babyhood promptly to do the thing that could be done--whether to keep out weather, to ward off cold, to postpone hunger, or what not--she started out of her meditation, and ran home.
The room was quiet, and the lamp burnt on the table. In the bunk in the corner, her brother lay asleep. She bent over him softly, kissed him, and came to the table.
'By the time of Miss Abbey's closing, and by the run of the tide, it must be one. Tide's running up. Father at Chiswick, wouldn't think of coming down, till after the turn, and that's at half after four. I'll call Charley at six. I shall hear the church-clocks strike, as I sit here.'
Very quietly, she placed a chair before the scanty fire, and sat down in it, drawing her shawl about her.
'Charley's hollow down by the flare is not there now. Poor Charley!'
The clock struck two, and the clock struck three, and the clock struck four, and she remained there, with a woman's patience and her own purpose. When the morning was well on between four and five, she slipped off her shoes (that her going about, might not wake Charley), trimmed the fire sparingly, put water on to boil, and set the table for breakfast. Then she went up the ladder, lamp in hand, and came down again, and glided about and about, making a little bundle. Lastly, from her pocket, and from the chimney-piece, and from an inverted basin on the highest shelf she brought halfpence, a few sixpences, fewer shillings, and fell to laboriously and noiselessly counting them, and setting aside one little heap. She was still so engaged, when she was startled by:
'Hal-loa!' From her brother, sitting up in bed.
'You made me jump, Charley.'
'Jump! Didn't you make ME jump, when I opened my eyes a moment ago, and saw you sitting there, like the ghost of a girl miser, in the dead of the night.'
'It's not the dead of the night, Charley. It's nigh six in the morning.'
'Is it though? But what are you up to, Liz?'
'Still telling your fortune, Charley.'
'It seems to be a precious small one, if that's it,' said the boy. 'What are you putting that little pile of money by itself for?'
'For you, Charley.'
'What do you mean?'
'Get out of bed, Charley, and get washed and dressed, and then I'll tell you.'
Her composed manner, and her low distinct voice, always had an influence over him. His head was soon in a basin of water, and out of it again, and staring at her through a storm of towelling.
'I never,' towelling at himself as if he were his bitterest enemy, 'saw such a girl as you are. What IS the move, Liz?'
'Are you almost ready for breakfast, Charley?'
'You can pour it out. Hal-loa! I say? And a bundle?'
'And a bundle, Charley.'
'You don't mean it's for me, too?'
'Yes, Charley; I do; indeed.'
More serious of face, and more slow of action, than he had been, the boy completed his dressing, and came and sat down at the little breakfast-table, with his eyes amazedly directed to her face.
'You see, Charley dear, I have made up my mind that this is the right time for your going away from us. Over and above all the blessed change of by-and-bye, you'll be much happier, and do much better, even so soon as next month. Even so soon as next week.'
'How do you know I shall?'
'I don't quite know how, Charley, but I do.' In spite of her unchanged manner of speaking, and her unchanged appearance of composure, she scarcely