Works of Charles Dickens - Charles Dickens [5485]
But before the shrub and water was sipped out, Miss Abbey bethought herself that she would like to keep a copy of the paper by her. 'It's not long, sir,' said she to Riah, 'and perhaps you wouldn't mind just jotting it down.' The old man willingly put on his spectacles, and, standing at the little desk in the corner where Miss Abbey filed her receipts and kept her sample phials (customers' scores were interdicted by the strict administration of the Porters), wrote out the copy in a fair round character. As he stood there, doing his methodical penmanship, his ancient scribelike figure intent upon the work, and the little dolls' dressmaker sitting in her golden bower before the fire, Miss Abbey had her doubts whether she had not dreamed those two rare figures into the bar of the Six Jolly Fellowships, and might not wake with a nod next moment and find them gone.
Miss Abbey had twice made the experiment of shutting her eyes and opening them again, still finding the figures there, when, dreamlike, a confused hubbub arose in the public room. As she started up, and they all three looked at one another, it became a noise of clamouring voices and of the stir of feet; then all the windows were heard to be hastily thrown up, and shouts and cries came floating into the house from the river. A moment more, and Bob Gliddery came clattering along the passage, with the noise of all the nails in his boots condensed into every separate nail.
'What is it?' asked Miss Abbey.
'It's summut run down in the fog, ma'am,' answered Bob. 'There's ever so many people in the river.'
'Tell 'em to put on all the kettles!' cried Miss Abbey. 'See that the boiler's full. Get a bath out. Hang some blankets to the fire. Heat some stone bottles. Have your senses about you, you girls down stairs, and use 'em.'
While Miss Abbey partly delivered these directions to Bob--whom she seized by the hair, and whose head she knocked against the wall, as a general injunction to vigilance and presence of mind--and partly hailed the kitchen with them--the company in the public room, jostling one another, rushed out to the causeway, and the outer noise increased.
'Come and look,' said Miss Abbey to her visitors. They all three hurried to the vacated public room, and passed by one of the windows into the wooden verandah overhanging the river.
'Does anybody down there know what has happened?' demanded Miss Abbey, in her voice of authority.
'It's a steamer, Miss Abbey,' cried one blurred figure in the fog.
'It always IS a steamer, Miss Abbey,' cried another.
'Them's her lights, Miss Abbey, wot you see a-blinking yonder,' cried another.
'She's a-blowing off her steam, Miss Abbey, and that's what makes the fog and the noise worse, don't you see?' explained another.
Boats were putting off, torches were lighting up, people were rushing tumultuously to the water's edge. Some man fell in with a splash, and was pulled out again with a roar of laughter. The drags were called for. A cry for the life-buoy passed from mouth to mouth. It was impossible to make out what was going on upon the river, for every boat that put off sculled into the fog and was lost to view at a boat's length. Nothing was clear but that the unpopular steamer was assailed with reproaches on all sides. She was the Murderer, bound for Gallows Bay; she was the Manslaughterer, bound for Penal Settlement; her captain ought to be tried for his life; her crew ran down men in row-boats with a relish; she mashed up Thames lightermen with her paddles; she fired property with her funnels; she always was, and she always would be, wreaking destruction upon somebody or something, after the manner of all her kind. The whole bulk of the fog teemed with such taunts, uttered in tones of universal hoarseness. All the while, the steamer's lights moved spectrally a very little, as she lay-to, waiting the upshot of whatever accident had happened. Now, she began burning blue-lights. These made a luminous patch about her, as if she had set the fog on fire, and in the patch--the cries