Works of Charles Dickens - Charles Dickens [6251]
As to subscription balls in the Assembly Rooms of our watering- place now, red-hot cannon balls are less improbable. Sometimes, a misguided wanderer of a Ventriloquist, or an Infant Phenomenon, or a juggler, or somebody with an Orrery that is several stars behind the time, takes the place for a night, and issues bills with the name of his last town lined out, and the name of ours ignominiously written in, but you may be sure this never happens twice to the same unfortunate person. On such occasions the discoloured old Billiard Table that is seldom played at (unless the ghost of the Honourable Miss Peepy plays at pool with other ghosts) is pushed into a corner, and benches are solemnly constituted into front seats, back seats, and reserved seats - which are much the same after you have paid - and a few dull candles are lighted - wind permitting - and the performer and the scanty audience play out a short match which shall make the other most low-spirited - which is usually a drawn game. After that, the performer instantly departs with maledictory expressions, and is never heard of more.
But the most wonderful feature of our Assembly Rooms, is, that an annual sale of 'Fancy and other China,' is announced here with mysterious constancy and perseverance. Where the china comes from, where it goes to, why it is annually put up to auction when nobody ever thinks of bidding for it, how it comes to pass that it is always the same china, whether it would not have been cheaper, with the sea at hand, to have thrown it away, say in eighteen hundred and thirty, are standing enigmas. Every year the bills come out, every year the Master of the Rooms gets into a little pulpit on a table, and offers it for sale, every year nobody buys it, every year it is put away somewhere till next year, when it appears again as if the whole thing were a new idea. We have a faint remembrance of an unearthly collection of clocks, purporting to be the work of Parisian and Genevese artists - chiefly bilious-faced clocks, supported on sickly white crutches, with their pendulums dangling like lame legs - to which a similar course of events occurred for several years, until they seemed to lapse away, of mere imbecility.
Attached to our Assembly Rooms is a library. There is a wheel of fortune in it, but it is rusty and dusty, and never turns. A large doll, with moveable eyes, was put up to be raffled for, by five- and-twenty members at two shillings, seven years ago this autumn, and the list is not full yet. We are rather sanguine, now, that the raffle will come off next year. We think so, because we only want nine members, and should only want eight, but for number two having grown up since her name was entered, and withdrawn it when she was married. Down the street, there is a toy-ship of considerable burden, in the same condition. Two of the boys who were entered for that raffle have gone to India in real ships, since; and one was shot, and died in the arms of his sister's lover, by whom he sent his last words home.
This is the library for the Minerva Press. If you want that kind of reading, come to our watering-place. The leaves of the romances, reduced to a condition very like curl-paper, are thickly studded with notes in pencil: sometimes complimentary, sometimes jocose. Some of these commentators, like commentators in a more extensive way, quarrel with one another. One young gentleman who sarcastically writes 'O!!!'