Works of Charles Dickens - Charles Dickens [6298]
Flight resumed. Corn-sheaves, hop-gardens, reapers, gleaners, apple-orchards, cherry-orchards, Stations single and double- barrelled, Ashford. Compact Enchantress (constantly talking to Mystery, in an exquisite manner) gives a little scream; a sound that seems to come from high up in her precious little head; from behind her bright little eyebrows. 'Great Heaven, my pine-apple! My Angel! It is lost!' Mystery is desolated. A search made. It is not lost. Zamiel finds it. I curse him (flying) in the Persian manner. May his face be turned upside down, and jackasses sit upon his uncle's grave!
Now fresher air, now glimpses of unenclosed Down-land with flapping crows flying over it whom we soon outfly, now the Sea, now Folkestone at a quarter after ten. 'Tickets ready, gentlemen!' Demented dashes at the door. 'For Paris, sir? No hurry.'
Not the least. We are dropped slowly down to the Port, and sidle to and fro (the whole Train) before the insensible Royal George Hotel, for some ten minutes. The Royal George takes no more heed of us than its namesake under water at Spithead, or under earth at Windsor, does. The Royal George's dog lies winking and blinking at us, without taking the trouble to sit up; and the Royal George's 'wedding party' at the open window (who seem, I must say, rather tired of bliss) don't bestow a solitary glance upon us, flying thus to Paris in eleven hours. The first gentleman in Folkestone is evidently used up, on this subject.
Meanwhile, Demented chafes. Conceives that every man's hand is against him, and exerting itself to prevent his getting to Paris. Refuses consolation. Rattles door. Sees smoke on the horizon, and 'knows' it's the boat gone without him. Monied Interest resentfully explains that HE is going to Paris too. Demented signifies, that if Monied Interest chooses to be left behind, HE don't.
'Refreshments in the Waiting-Room, ladies and gentlemen. No hurry, ladies and gentlemen, for Paris. No hurry whatever!'
Twenty minutes' pause, by Folkestone clock, for looking at Enchantress while she eats a sandwich, and at Mystery while she eats of everything there that is eatable, from pork-pie, sausage, jam, and gooseberries, to lumps of sugar. All this time, there is a very waterfall of luggage, with a spray of dust, tumbling slantwise from the pier into the steamboat. All this time, Demented (who has no business with it) watches it with starting eyes, fiercely requiring to be shown HIS luggage. When it at last concludes the cataract, he rushes hotly to refresh - is shouted after, pursued, jostled, brought back, pitched into the departing steamer upside down, and caught by mariners disgracefully.
A lovely harvest-day, a cloudless sky, a tranquil sea. The piston- rods of the engines so regularly coming up from below, to look (as well they may) at the bright weather, and so regularly almost knocking their iron heads against the cross beam of the skylight, and never doing it! Another Parisian actress is on board, attended by another Mystery. Compact Enchantress greets her sister artist - Oh, the Compact One's pretty teeth! - and Mystery greets Mystery. My Mystery soon ceases to be conversational - is taken poorly, in a word, having lunched too miscellaneously - and goes below. The remaining Mystery then smiles upon the sister artists (who, I am afraid, wouldn't greatly mind stabbing each other), and is upon the whole ravished.
And now I find that all the French people on board begin to grow, and all the English people to shrink. The French are nearing home, and shaking off a disadvantage, whereas we are shaking it on. Zamiel is the same man, and Abd-el-Kader is the same man, but each seems to come into possession of an indescribable confidence that departs from us - from Monied Interest, for instance, and from me. Just what they gain, we lose. Certain British 'Gents' about the steersman, intellectually nurtured at home on parody of everything and truth of nothing, become subdued, and in a manner forlorn; and when