Works of Charles Dickens - Charles Dickens [6323]
The lodging-house we want is hidden in a maze of streets and courts. It is fast shut. We knock at the door, and stand hushed looking up for a light at one or other of the begrimed old lattice windows in its ugly front, when another constable comes up - supposes that we want 'to see the school.' Detective Sergeant meanwhile has got over a rail, opened a gate, dropped down an area, overcome some other little obstacles, and tapped at a window. Now returns. The landlord will send a deputy immediately.
Deputy is heard to stumble out of bed. Deputy lights a candle, draws back a bolt or two, and appears at the door. Deputy is a shivering shirt and trousers by no means clean, a yawning face, a shock head much confused externally and internally. We want to look for some one. You may go up with the light, and take 'em all, if you like, says Deputy, resigning it, and sitting down upon a bench in the kitchen with his ten fingers sleepily twisting in his hair.
Halloa here! Now then! Show yourselves. That'll do. It's not you. Don't disturb yourself any more! So on, through a labyrinth of airless rooms, each man responding, like a wild beast, to the keeper who has tamed him, and who goes into his cage. What, you haven't found him, then? says Deputy, when we came down. A woman mysteriously sitting up all night in the dark by the smouldering ashes of the kitchen fire, says it's only tramps and cadgers here; it's gonophs over the way. A man mysteriously walking about the kitchen all night in the dark, bids her hold her tongue. We come out. Deputy fastens the door and goes to bed again.
Black and Green, you know Bark, lodging-house keeper and receiver of stolen goods? - O yes, Inspector Field. - Go to Bark's next.
Bark sleeps in an inner wooden hutch, near his street door. As we parley on the step with Bark's Deputy, Bark growls in his bed. We enter, and Bark flies out of bed. Bark is a red villain and a wrathful, with a sanguine throat that looks very much as if it were expressly made for hanging, as he stretches it out, in pale defiance, over the half-door of his hutch. Bark's parts of speech are of an awful sort - principally adjectives. I won't, says Bark, have no adjective police and adjective strangers in my adjective premises! I won't, by adjective and substantive! Give me my trousers, and I'll send the whole adjective police to adjective and substantive! Give me, says Bark, my adjective trousers! I'll put an adjective knife in the whole bileing of 'em. I'll punch their adjective heads. I'll rip up their adjective substantives. Give me my adjective trousers! says Bark, and I'll spile the bileing of 'em!
Now, Bark, what's the use of this? Here's Black and Green, Detective Sergeant, and Inspector Field. You know we will come in. - I know you won't! says Bark. Somebody give me my adjective trousers! Bark's trousers seem difficult to find. He calls for them as Hercules might for his club. Give me my adjective trousers! says Bark, and I'll spile the bileing of 'em!
Inspector Field holds that it's all one whether Bark likes the visit or don't like it. He, Inspector Field, is an Inspector of the Detective Police, Detective Sergeant IS Detective Sergeant, Black and Green are constables in uniform. Don't you be a fool, Bark, or you know it will be the worse for you. - I don't care, says Bark. Give me my adjective trousers!
At two o'clock in the morning, we descend into Bark's low kitchen, leaving Bark to foam at the mouth above, and Imperturbable Black and Green to look at him. Bark's kitchen is crammed full of thieves, holding a CONVERSAZIONE there by lamp-light. It is by far the most dangerous assembly we have seen yet. Stimulated by the ravings of Bark, above, their looks are sullen, but not a man speaks. We ascend again. Bark has got his trousers, and is in a state of madness in the passage with his back against a door that shuts off the upper staircase. We observe, in other respects, a ferocious individuality in Bark. Instead of 'STOP THIEF!' on