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Works of Charles Dickens - Charles Dickens [6517]

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a 'creeter,' which induced the young lady in brown gauze to retort, in certain sentences containing a taunt founded on the payment of four-and-sixpence a quarter, which reference Mr. Augustus Cooper, being then and there in a state of considerable bewilderment, expressed his entire concurrence in. Miss Billsmethi, thus renounced, forthwith began screaming in the loudest key of her voice, at the rate of fourteen screams a minute; and being unsuccessful, in an onslaught on the eyes and face, first of the lady in gauze and then of Mr. Augustus Cooper, called distractedly on the other three-and-seventy pupils to furnish her with oxalic acid for her own private drinking; and, the call not being honoured, made another rush at Mr. Cooper, and then had her stay-lace cut, and was carried off to bed. Mr. Augustus Cooper, not being remarkable for quickness of apprehension, was at a loss to understand what all this meant, until Signor Billsmethi explained it in a most satisfactory manner, by stating to the pupils, that Mr. Augustus Cooper had made and confirmed divers promises of marriage to his daughter on divers occasions, and had now basely deserted her; on which, the indignation of the pupils became universal; and as several chivalrous gentlemen inquired rather pressingly of Mr. Augustus Cooper, whether he required anything for his own use, or, in other words, whether he 'wanted anything for himself,' he deemed it prudent to make a precipitate retreat. And the upshot of the matter was, that a lawyer's letter came next day, and an action was commenced next week; and that Mr. Augustus Cooper, after walking twice to the Serpentine for the purpose of drowning himself, and coming twice back without doing it, made a confidante of his mother, who compromised the matter with twenty pounds from the till: which made twenty pounds four shillings and sixpence paid to Signor Billsmethi, exclusive of treats and pumps. And Mr. Augustus Cooper went back and lived with his mother, and there he lives to this day; and as he has lost his ambition for society, and never goes into the world, he will never see this account of himself, and will never be any the wiser.

CHAPTER X--SHABBY-GENTEEL PEOPLE

There are certain descriptions of people who, oddly enough, appear to appertain exclusively to the metropolis. You meet them, every day, in the streets of London, but no one ever encounters them elsewhere; they seem indigenous to the soil, and to belong as exclusively to London as its own smoke, or the dingy bricks and mortar. We could illustrate the remark by a variety of examples, but, in our present sketch, we will only advert to one class as a specimen--that class which is so aptly and expressively designated as 'shabby-genteel.'

Now, shabby people, God knows, may be found anywhere, and genteel people are not articles of greater scarcity out of London than in it; but this compound of the two--this shabby-gentility--is as purely local as the statue at Charing-cross, or the pump at Aldgate. It is worthy of remark, too, that only men are shabby- genteel; a woman is always either dirty and slovenly in the extreme, or neat and respectable, however poverty-stricken in appearance. A very poor man, 'who has seen better days,' as the phrase goes, is a strange compound of dirty-slovenliness and wretched attempts at faded smartness.

We will endeavour to explain our conception of the term which forms the title of this paper. If you meet a man, lounging up Drury- Lane, or leaning with his back against a post in Long-acre, with his hands in the pockets of a pair of drab trousers plentifully besprinkled with grease-spots: the trousers made very full over the boots, and ornamented with two cords down the outside of each leg--wearing, also, what has been a brown coat with bright buttons, and a hat very much pinched up at the side, cocked over his right eye--don't pity him. He is not shabby-genteel. The 'harmonic meetings' at some fourth-rate public-house, or the purlieus of a private theatre, are his chosen haunts; he entertains a rooted antipathy to any kind of work,

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