Works of Charles Dickens - Charles Dickens [6878]
Now, ladies and gentlemen, you need no ghost to inform you that I am going to propose "Prosperity to the Dramatic, Musical, and Equestrian Sick Fund Association," and, further, that I should be going to ask you actively to promote that prosperity by liberally contributing to its funds, if that task were not reserved for a much more persuasive speaker. But I rest the strong claim of the society for its useful existence and its truly charitable functions on a very few words, though, as well as I can recollect, upon something like six grounds. First, it relieves the sick; secondly, it buries the dead; thirdly, it enables the poor members of the profession to journey to accept new engagements whenever they find themselves stranded in some remote, inhospitable place, or when, from other circumstances, they find themselves perfectly crippled as to locomotion for want of money; fourthly, it often finds such engagements for them by acting as their honest, disinterested agent; fifthly, it is its principle to act humanely upon the instant, and never, as is too often the case within my experience, to beat about the bush till the bush is withered and dead; lastly, the society is not in the least degree exclusive, but takes under its comprehensive care the whole range of the theatre and the concert-room, from the manager in his room of state, or in his caravan, or at the drum-head--down to the theatrical housekeeper, who is usually to be found amongst the cobwebs and the flies, or down to the hall porter, who passes his life in a thorough draught- -and, to the best of my observation, in perpetually interrupted endeavours to eat something with a knife and fork out of a basin, by a dusty fire, in that extraordinary little gritty room, upon which the sun never shines, and on the portals of which are inscribed the magic words, "stage-door."
Now, ladies and gentlemen, this society administers its benefits sometimes by way of loan; sometimes by way of gift; sometimes by way of assurance at very low premiums; sometimes to members, oftener to non-members; always expressly, remember, through the hands of a secretary or committee well acquainted with the wants of the applicants, and thoroughly versed, if not by hard experience at least by sympathy, in the calamities and uncertainties incidental to the general calling. One must know something of the general calling to know what those afflictions are. A lady who had been upon the stage from her earliest childhood till she was a blooming woman, and who came from a long line of provincial actors and actresses, once said to me when she was happily married; when she was rich, beloved, courted; when she was mistress of a fine house-- once said to me at the head of her own table, surrounded by distinguished guests of every degree, "Oh, but I have never forgotten the hard time when I was on the stage, and when my baby brother died, and when my poor mother and I brought the little baby from Ireland to England, and acted three nights in England, as we had acted three nights in Ireland, with the pretty creature lying upon the only bed in our lodging before we got the money to pay for its funeral."
Ladies and gentlemen, such things are, every day, to this hour; but, happily, at this day and in this hour this association has arisen to be the timely friend of such great distress.
It is not often the fault of the sufferers that they fall into these straits. Struggling artists must necessarily change from place to place, and thus it frequently happens that they become, as it were, strangers in every place, and very slight circumstances--a passing illness, the sickness of the husband, wife, or child, a serious town, an anathematising expounder of the gospel of gentleness and forbearance--any one of these causes may often in a few