Works of Charles Dickens - Charles Dickens [7078]
They had not made the round of their changed life many weeks, when her father said to her, on coming home one evening:
"My dear, there is an upper window in the prison, to which Charles can sometimes gain access at three in the afternoon. When he can get to it--which depends on many uncertainties and incidents--he might see you in the street, he thinks, if you stood in a certain place that I can show you. But you will not be able to see him, my poor child, and even if you could, it would be unsafe for you to make a sign of recognition."
"O show me the place, my father, and I will go there every day."
From that time, in all weathers, she waited there two hours. As the clock struck two, she was there, and at four she turned resignedly away. When it was not too wet or inclement for her child to be with her, they went together; at other times she was alone; but, she never missed a single day.
It was the dark and dirty corner of a small winding street. The hovel of a cutter of wood into lengths for burning, was the only house at that end; all else was wall. On the third day of her being there, he noticed her.
"Good day, citizeness."
"Good day, citizen."
This mode of address was now prescribed by decree. It had been established voluntarily some time ago, among the more thorough patriots; but, was now law for everybody.
"Walking here again, citizeness?"
"You see me, citizen!"
The wood-sawyer, who was a little man with a redundancy of gesture (he had once been a mender of roads), cast a glance at the prison, pointed at the prison, and putting his ten fingers before his face to represent bars, peeped through them jocosely.
"But it's not my business," said he. And went on sawing his wood.
Next day he was looking out for her, and accosted her the moment she appeared.
"What? Walking here again, citizeness?"
"Yes, citizen."
"Ah! A child too! Your mother, is it not, my little citizeness?"
"Do I say yes, mamma?" whispered little Lucie, drawing close to her.
"Yes, dearest."
"Yes, citizen."
"Ah! But it's not my business. My work is my business. See my saw! I call it my Little Guillotine. La, la, la; La, la, la! And off his head comes!"
The billet fell as he spoke, and he threw it into a basket.
"I call myself the Samson of the firewood guillotine. See here again! Loo, loo, loo; Loo, loo, loo! And off _her_ head comes! Now, a child. Tickle, tickle; Pickle, pickle! And off _its_ head comes. All the family!"
Lucie shuddered as he threw two more billets into his basket, but it was impossible to be there while the wood-sawyer was at work, and not be in his sight. Thenceforth, to secure his good will, she always spoke to him first, and often gave him drink-money, which he readily received.
He was an inquisitive fellow, and sometimes when she had quite forgotten him in gazing at the prison roof and grates, and in lifting her heart up to her husband, she would come to herself to find him looking at her, with his knee on his bench and his saw stopped in its work. "But it's not my business!" he would generally say at those times, and would briskly fall to his sawing again.
In all weathers, in the snow and frost of winter, in the bitter winds of spring, in the hot sunshine of summer, in the rains of autumn, and again in the snow and frost of winter, Lucie passed two hours of every day at this place; and every day on leaving it, she kissed the prison wall. Her husband saw her (so she learned from her father) it might be once in five or six times: it might be twice or thrice running: it might be, not for a week or a fortnight together. It was enough that he could and did see her when the chances served, and on that possibility she would have waited out the day, seven days a week.
These occupations brought her round to the December month, wherein her father walked among the terrors with a steady head. On a lightly-snowing afternoon she arrived at the usual corner. It was a day of some wild rejoicing, and