Worth Dying For_ A Reacher Novel - Lee Child [138]
He walked on, bending his line a little to center himself in the gap between the buildings. The barn was on his right, and the smaller shelter was on his left. The brambles at their bases looked like hasty freehand shading on a pencil drawing. Dry sticks in the winter, possibly a riot of color and petals in the summer. Possibly an attraction. Kids’ bikes could handle the tractor ruts. Balloon tires, sturdy frames.
He walked on.
Eldridge Tyler stilled his breathing and concentrated hard and strained to hear whatever sounds there were to be heard. He knew the land. The earth was always moving, heating, cooling, vibrating, suffering tiny tremors and microscopic upheavals, forcing small stones upward through its many layers to the broken surfaces above, where they lay in the ruts and the furrows, waiting to be stepped on, to be kicked, to be crunched together, to be sent clicking one against the other. It was not possible to walk silently across open land. Tyler knew that. He kept his eye to the scope, his finger on the trigger, and his ears wide open.
Reacher stopped fifty yards out and stood absolutely still, looking at the buildings in front of him and juggling circular thoughts in his head. His theory was either all the way right or all the way wrong. The eight-year-old Margaret Coe had come for the flowers, but she hadn’t gotten trapped by accident. The bike proved the proposition. A child impulsive enough to drop a bike on a path might have dashed inside a derelict structure and injured herself badly. But a child earnest and serious enough to wheel her bike in with her would have taken care and not gotten hurt at all. Human nature. Logic. If there had been an accident, the bike would have been found outside. The bike had not been found outside, therefore there had been no accident.
And: She had gone to the barn voluntarily, but she had not gone inside the barn voluntarily. Why would a child looking for flowers have gone inside a barn? Barns held no secrets for farm children. No mysteries. A kid interested in colors and nature and freshness would have felt no attraction for a dark and gloomy space full of decaying smells. Had the slider even worked twenty-five years ago? Could a kid have moved it? The building was a century old, and it had been rotting since the day it was finished. The slider was jammed now, and it might have been jammed then, and in any case it was heavy. Alternatively, could an eight-year-old kid have lifted a bike through the judas hole? A bike with big tires and a sturdy frame and awkward pedals and handlebars?
No, someone had done it for her.
A fifth man.
Because the theory didn’t work without the existence of a fifth man. The barn was irrelevant without a fifth man. The flowers were meaningless without a fifth man. The Duncans were alibied, but Margaret Coe had disappeared even so. Therefore someone else had been there, either by chance or on purpose.
Or not.
Circular logic.
All the way right, or all the way wrong.
To be all the way wrong would be frustrating, but no big deal. To be all the way right meant the fifth man existed, and had to be considered. He would be bound to the Duncans, by a common purpose, by a terrible shared secret, always and forever. His cooperation could be assumed. His loyalty and service were guaranteed, either by mutual interest or coercion. In an emergency, he would help out.
Reacher looked at the barn, and the smaller shelter.
If the theory was right, the fifth man would be there.
If the fifth man was there, the theory was right.
Circular logic.
Reacher had seen the buildings twice before, once by night and once by day. He was an observant man. He had made his living by noticing details. He was living because he noticed details. But there was nothing much to be seen from fifty yards. Just a side view of two old structures. Best move would be for the guy to be inside the barn, off center, maybe six feet from the door, sitting easy in a lawn chair with a shotgun across his knees, just waiting for his target to step through in