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Writing Analytically, 6th Edition - Rosenwasser, David & Stephen, Jill.original_ [146]

By Root 10201 0
I say with some certainty about my evidence?”

“In all three of these stories, a first civilization created by a god is destroyed by the same means—a flood.”

Notice that this is a factual description of the evidence rather than a speculation about it. You are always better off to report the facts in your evidence carefully and fully before moving to conclusions. (This is harder to do than you might think.)

“What else is certain about the evidence?”

“In each case the gods leave a surviving pair to rebuild the civilization rather than just wiping everybody out and inventing a new kind of being. Interestingly, the gods begin again by choosing from the same stock that failed the first time around.”

Mulling over the evidence in this way—taking care to lay out the facts and distinguish them from speculation—can help you decide what evidence to zoom in on. One of the chief advantages of zooms is that they get you in close enough to your evidence to see the questions its details imply.

Revision Strategy 4: Examine the evidence closely enough to see what questions the details imply and what other patterns they reveal. So far, the writer has worked mostly from two quite general questions: Why did the gods decide to wipe out their creations? And why do the gods need human beings? But there are other questions his evidence might prompt him to ask. In each story, for example, the gods are disappointed by humankind, yet they don’t invent submissive robots who will dedicate their lives to making the deities feel good about themselves. Why not? This question might cause the writer to uncover a shared feature of his examples (a pattern) that he has thus far not considered—the surviving pairs.

Revision Strategy 5: Uncover implications in your zoom that can develop your interpretation further. Having selected the surviving pairs for more detailed examination, what might the writer conclude about them? One interesting fact that the surviving pairs reveal is that the flood stories are not only descriptions of the end of a world but also creation accounts, because they also tell us how a new civilization, the existing one, got started.

Revision Strategy 6: Look for difference within similarity to better focus the thesis. Given the recurrence of the survival pairs in the three stories, where might the writer locate a significant difference? One potentially significant difference involves the survival pair in the story of Gilgamesh, who are segregated from the new world and granted immortality. Perhaps this separation suggests that the new civilization will not be haunted by the painful memory of a higher power’s intervention, leaving humans less fearful of what might happen in the future. This distinction could focus the argument in the essay; it does not distract from the writer’s overall generalization but rather develops it.

Revision Strategy 7: Constellate the evidence to experiment with alternative thesis options. Notice how the hypothetical revision we’ve been producing has made use of looking for difference within similarity to explore alternative ways of connecting the evidence—a selected set of zooms—into an overall explanation. We call this activity constellating the evidence: like the imaginary lines that connect real stars into a recognizable shape, your thinking configures the examples into some larger meaning. In this case, instead of repeatedly concluding that the gods destroy humans when humans fail to make them happy, the writer might be on his way to a thesis about the relative optimism or skepticism of the way the flood stories represent change.

Possible thesis #1: The flood stories propose the view that real change is necessarily apocalyptic rather than evolutionary.

Possible thesis #2: The flood stories present qualified optimism about the possibility of new starts.

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Try This 10.3: Describing Evidence

Have a conversation with yourself (on paper) about some piece of evidence you are studying. Start with the question we proposed for the student writer of the flood stories

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