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Writing Analytically, 6th Edition - Rosenwasser, David & Stephen, Jill.original_ [175]

By Root 10019 0
free from the danger of getting brainwashed by some expert?

The answer is no. If you don’t consult what others have said, you run at least two risks: you will waste your time reinventing the wheel, and you will undermine your analysis (or at least leave it incomplete) by not considering information and ideas commonly discussed in the field. By remaining unaware of existing thinking, you choose, in effect, to stand outside of the conversation that others interested in the subject are having.

It is possible to find a middle ground between developing an idea that is entirely independent of what experts have written on a subject and producing a paper that does nothing but repeat other people’s ideas. A little research—even if it’s only an hour’s browse in the relevant databases on your library’s website—will virtually always raise the level of what you have to say above what it would have been if you had consulted only the information and opinions that you carry around in your head.

A good rule of thumb for coping with source anxiety is to formulate a tentative position on your topic before you consult secondary sources. In other words, give yourself time to do some preliminary thinking. Try writing informally about your topic, analyzing some piece of pertinent information already at your disposal. That way, you will have your initial responses written down to weigh in relation to what others have said.

THE CONVERSATION ANALOGY

Now, let’s turn to the major problem in using sources—a writer leaving the experts he or she cites to speak for themselves. In this situation, the writer characteristically makes a generalization in his or her own words, juxtaposes it to a quotation or other reference from a secondary source, and assumes that the meaning of the reference will be self-evident. This practice not only leaves the connection between the writer’s thinking and his or her source material unstated but also substitutes mere repetition of someone else’s viewpoint for a more active interpretation. The source has been allowed to have the final word, with the effect that it stops the discussion and the writer’s thinking.

First and foremost, then, you need to do something with the reading. Clarify the meaning of the material you have quoted, paraphrased, or summarized and explain its significance in light of your evolving thesis.

It follows that the first step in using sources effectively is to reject the assumption that sources provide final and complete answers. If they did, there would be no reason for others to continue writing on the subject. As in conversation, we raise ideas for others to respond to. Accepting that no source has the final word does not mean, however, that you should shift from unquestioning approval to the opposite pole and necessarily assume an antagonistic position toward all sources. Indeed, a habitually antagonistic response to others’ ideas is just as likely to bring your conversation with your sources to a halt as is the habit of always assuming that the source must have the final word.

Most people would probably agree on the attributes of a really good conversation. There is room for agreement and disagreement, for give and take, among a variety of viewpoints. Generally, people don’t deliberately misunderstand each other, but a significant amount of the discussion may go into clarifying one’s own as well as others’ positions. Such conversations construct a genuinely collaborative chain of thinking: Karl builds on what David has said, which induces Jill to respond to Karl’s comment, and so forth.

There are, of course, obvious differences between conversing aloud with friends and conversing on paper with sources. As a writer, you need to construct the chain of thinking, orchestrate the exchange of views with and among your sources, and give the conversation direction. A good place to begin in using sources is to recognize that you need not respond to everything another writer says, nor do you need to come up with an entirely original point of view—one that completely revises or refutes the source.

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