Writing Analytically, 6th Edition - Rosenwasser, David & Stephen, Jill.original_ [182]
In Kristeller’s view, Tillyard’s attempts to assign humanism to medievals are not only unwarranted, but also counterproductive. Kristeller ends his chapter on “Humanism and Scholasticism” with an exhortation to “develop a kind of historical pluralism. It is easy to praise everything in the past that appears to resemble certain favorable ideas of our own time, or to ridicule and minimize everything that disagrees with them. This method is neither fair nor helpful” (174). Tillyard, in trying to locate humanism within the medieval world, allows the value of humanism to supersede the worth of medieval scholarship. Kristeller argues that there is inherent worth in every intellectual movement, not simply in the ones that we find most agreeable.
Kristeller’s work is valuable to us primarily for its forthright definition of humanism. Tillyard has cleverly avoided this undertaking: he provides many textual references, usually with the companion comment that “this is an example of Renaissance humanism,” but he never overtly and fully formulates the definition in the way that Kristeller does.
As this excerpt makes evident, the writer has found something to say about her source by putting it into conversation with another source with which she believes her source, Kristeller, would disagree (“Kristeller would undoubtedly reply”). Although it seems obvious that the writer prefers Kristeller to Tillyard, her agreement with him is not the main point of her analysis. She focuses instead on foregrounding the problem that Kristeller is trying to solve and on relating that problem to different attitudes toward history. In so doing, she is deftly orchestrating the conversation between her sources. Her next step would be to distinguish her position from Kristeller’s. Having used Kristeller to get perspective on Tillyard, she now needs somehow to get perspective on Kristeller. The next strategy addresses this issue.
Strategy 6: Find Your Own Role in the Conversation
Even in cases in which you find a source’s position entirely congenial, it is not enough simply to agree with it. This does not mean you should feel compelled to attack the source but rather that you need to find something of your own to say about it.
In general, you have two options when you find yourself strongly in agreement with a source. You can (1) apply it in another context to qualify or expand its implications. Or you can (2) seek out other perspectives on the source in order to break the spell it has cast on you. To break the spell means you will necessarily become somewhat disillusioned but not that you will then need to dismiss everything you previously believed.
How, in the first option, do you take a source somewhere else? Rather than focusing solely on what you believe your source finds most important, locate a lesser point, not emphasized by the reading, that you find especially interesting and develop it further. This strategy will lead you to uncover new implications that depend on your source but lie outside its own governing preoccupations. In the preceding humanism example, the writer might apply Kristeller’s principles to new geographic (rather than theoretical) areas, such as Germany instead of Italy.
The second option, researching new perspectives on the source, can also lead to uncovering new implications. Your aim need not be simply to find a source that disagrees with the one that has convinced you and then switch your allegiance because this move would perpetuate the problem from which you are trying to escape. Instead, you would use additional perspectives to gain some critical distance from your source. An ideal way of sampling possible critical approaches to a source is to consult book reviews on it found in scholarly journals. Once the original source is taken down from the pedestal through additional reading, there is a greater likelihood that you will see how to distinguish your views from those it offers.
You may think, for example, that another source’s critique of your original