You Get So Alone at Times That It Just Makes Sense - Charles Bukowski [16]
classical music
I was young I was so young it hurt like a knife
inside
because there was no alternative except to hide as long
as possible—
not in self-pity but with dismay at my limited chance:
trying to connect.
the old composers—Mozart, Bach, Beethoven,
Brahms were the only ones who spoke to me and
they were dead.
finally, starved and beaten, I had to go into
the streets to be interviewed for low-paying and
monotonous
jobs
by strange men behind desks
men without eyes men without faces
who would take my hours
break them
piss on them.
now I work for the editors the readers the
critics
but still hang around and drink with
Mozart, Bach, Brahms and the
Bee
some buddies
some men
sometimes all we need to be able to continue alone
are the dead
rattling the walls
that close us in.
death sat on my knee and cracked with laughter
I was writing three short stories a week
and sending them to the Atlantic Monthly
they would all come back.
my money went for stamps and envelopes
and paper and wine
and I got so thin I used to
suck my cheeks
together
and they’d meet over the top of my
tongue (that’s when I thought about
Hamsun’s Hunger—where he ate his own
flesh; I once took a bite of my wrist
but it was very salty).
anyhow, one night in Miami Beach (I
have no idea what I was doing in that
city) I had not eaten in 60 hours
and I took the last of my starving
pennies
went down to the corner grocery and
bought a loaf of bread.
I planned to chew each slice slowly—
as if each were a slice of turkey
or a luscious
steak
and I got back to my room and
opened the wrapper and the
slices of bread were green
and mouldy.
my party was not to be.
I just dumped the bread upon the
floor
and I sat on that bed wondering about
the green mould, the
decay.
my rent money was used up and
I listened to all the sounds
of all the people in that
roominghouse
and down on the floor were
the dozens of stories with the
dozens of Atlantic Monthly
rejection slips.
it was early evening and I
turned out the light and
went to bed and
it wasn’t long before I
heard the mice coming out,
I heard them creeping over my
immortal stories and
eating the
green mouldy bread.
and in the morning
when I awakened
I saw that
all that was left of the
bread
was the green
mould.
they had eaten right to the
edge of the mould
leaving chunks of
it
among the stories and
rejection slips
as I heard the sound of
my landlady’s vacuum
cleaner
bumping down the
hall
slowly approaching my
door.
oh yes
I’ve been so
down in the mouth
lately
that sometimes when I
bend over to
lace my shoes
there are
three
tongues.
O tempora! O mores!
I get these girly magazines in the mail because
I’m writing short stories for them again
and here in these pages are these ladies
exposing their jewel boxes—
it looks more like a gynecologist’s
journal—
everything boldly and clinically
exposed
beneath bland and bored physiognomies.
it’s a turn-off of gigantic
proportions:
the secret is in the
imagination—
take that away and you have dead
meat.
a century back
a man could be driven mad
by a well-turned
ankle, and
why not?
one could imagine
that the rest
would be
magical
indeed!
now they shove it at us like a
McDonald’s hamburger
on a platter.
there is hardly anything as beautiful as
a woman in a long dress
not even the sunrise
not even the geese flying south
in the long V formation
in the bright freshness
of early morning.
the passing of a great one
he was the only living writer I ever met who I truly
admired and he was dying when I met
him.
(we in this game are shy on praise even toward
those who do it very well, but I never had this
problem with J.F.)
I visited him several times at the
hospital (there was never anybody else
about) and upon entering his room
I was never sure if he was asleep
or?
“John?”
he was stretched there on that bed, blind
and amputated:
advanced
diabetes.
“John it’s
Hank…”
he would answer and then we would talk