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Zen in the Art of Archery - Eugen Herrigel [2]

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misleading language, means that the spiritual exercises, thanks to which alone the technique of archery becomes an art and, if all goes well, perfects itself as the “artless art”, are mystical exercises, and accordingly archery can in no circumstances mean accomplishing anything outwardly with bow and arrow, but only inwardly, with oneself. Bow and arrow are only a pretext for something that could just as well happen without them, only the way to a goal, not the goal itself, only helps for the last decisive leap. In view of all this, nothing would be more desirable than that one should be able to lay hands on expositions by Zen Buddhists as an aid to understanding. These are in fact not lacking. In his Essays In Zen Buddhism, D. T. Suzuki has succeeded in showing that Japanese culture and Zen are intimately connected and that Japanese art, the spiritual attitude of the Samurai, the Japanese way of life, the moral, aesthetic and to a certain extent even the intellectual life of the Japanese owe their peculiarities to this background of Zen and cannot be properly understood by anybody not acquainted with it.

The exceedingly important work of Suzuki and the researches of other Japanese scholars have aroused widespread interest. It is generally admitted that Dhyana Buddhism, which was born in India and, after undergoing profound changes, reached full development in China, to be finally adopted by Japan, where it is cultivated as a living tradition to this day, has disclosed unsuspected ways of existence which it is of the utmost importance for us to understand.

Despite all the efforts of Zen experts, however, the insight afforded to us Europeans into the essence of Zen has remained exceedingly scanty. As though it resisted deeper penetration, after a few steps one's groping intuition comes up against insurmountable barriers. Wrapped in impenetrable darkness, Zen must seem the strangest riddle which the spiritual life of the East has ever devised: insoluble and yet irresistibly attractive. The reason for this painful feeling of inaccessibility lies, to some extent, in the style of exposition that has hitherto been adopted for Zen. No reasonable person would expect a Zen adept to do more than hint at the experiences which have liberated and changed him, or to attempt to describe the unimaginable and ineffable “Truth” by which he now lives. In this respect Zen is akin to pure introspective mysticism. Unless we enter into mystic experiences by direct participation, we remain outside, turn and twist as we may. This law, which all genuine mysticism obeys, allows of no exceptions. It is no contradiction that there exists a plethora of Zen texts regarded as sacred. They have the peculiarity of disclosing their life-giving meaning only to those who have shown themselves worthy of the crucial experiences and who can therefore extract from these texts confirmation of what they themselves already possess and are independently of them. To the inexperienced, on the other hand, they remain not only dumb — how could he ever be in a position to read between the lines? — but will infallibly lead him into the most hopeless spiritual confusion, even if he approaches them with wariness and selfless devotion. Like all mysticism, Zen can only be understood by one who is himself a mystic and is therefore not tempted to gain by underhand methods what the mystical experience withholds from him.

Yet the man who is transformed by Zen, and who has passed through the “fire of truth”, leads far too convincing a life for it to be overlooked. So it is not asking too much if, driven by a feeling of spiritual affinity, and desirous of finding a way to the nameless power which can work such miracles — for the merely curious have no right to demand anything — we expect the Zen adept at least to describe the way that leads to the goal. No mystic and no student of Zen is, at first step, the man he can become through self-perfection. How much has still to be conquered and left behind before he finally lights upon the truth! How often is he tormented on the way

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