Architects of Emortality - Brian Stableford [35]
Talking to people, even on the phone, was a “real-time activity,” generally considered by most seasoned policemen to be a terrible imposition and a woefully uneconomic use of precious hours—and if she remained here, talking to people on the phone was exactly what she would be doing.
“I’ll go with Wilde,” she said. “It’s okay—I’ll take the blame if it turns out to be a stupid move. I’ll just have to hope that Lowenthal will one day find it in his heart to forgive me.” Hal smiled, and his eyes expressed wry gratitude-but what he said aloud, for the sake of listening ears, was: “If you think it’s necessary.” Charlotte collected Oscar Wilde and Michael Lowenthal from her office and brought them into Hal’s workplace. The space was overcrowded with screens and comcons, and there were trails of printout hanging down like creepers from every shelf and desktop—Hal had an absurdly anachronistic and altogether unreasonable fondness for paper—but there were enough workstations for both of them to sit down in reasonable comfort.
“Oscar Wilde, Michael Lowenthal—Hal Watson,” she said with awkward formality.
Hal got up to shake hands with both of them, but he took Lowenthal’s hand first.
He met the Natural’s eyes with an expression of pure professional concern and muttered something about always being appreciative of extra professional help.
Charlotte observed that he was careful to put that particular mask away before greeting Wilde.
“Charlotte tells me that your unique insight into the motives and methods of the man behind Rappaccini Inc. might be of considerable help in the investigation, Dr. Wilde,” said Hal, implying by his indifferent tone that he shared his assistant’s skepticism regarding Wilde’s usefulness as an amateur detective.
“Call me Oscar,” said Wilde smoothly. “I certainly hope so. There are, I think, times when instant recognition and artistic sensitivity might facilitate more rapid deduction than the most powerful analytical engines. I’m a naive invader in your territory, of course—and I confess, as I contemplate this awesome battery of electronic weaponry, that I feel like one of those mortals of old who fell asleep on a burial mound and woke to find himself in the gloomy land of the fairy folk—but I really do feel that I can help you. I have some time in hand before the midnight maglev leaves, if there’s anything you’d like to tell me by way of background.” “As I say, I’m always grateful for any help I can get,” said Hal, still feigning casual indifference. “You’re welcome to listen in while I fill Mr. Lowenthal in on some relevant details, provided that he has no objection.” “None,” said Lowenthal. “I agree that Dr. Wilde’s special insights might be valuable. I’m keen to hear what he thinks.” Charlotte was glad, but not surprised, to observe that her colleague seemed equally unimpressed by Oscar Wilde’s recently renewed handsomeness and Michael Lowenthal’s authentically youthful beauty. Hal, whose machine-assisted perceptions ground up all the richness and complexity of the social world into mere atoms of data, had not the same idea of beauty as common men. In a Webwalker’s eyes, the cataract of encoded data which poured through his screens and VE hoods was the only reality. Hal never thought of himself as a man watching a shadow play; he found his aesthetic delights in patterns woven out of information or enigmas smoothed into comprehension, not in the hard and soft sculptures of stone and flesh.
Unfortunately, it seemed that the unshadowy world of hard and superabundant data had yet to be persuaded to explain how it had produced the eccentric masterpiece of mere appearances which was the murder of Gabriel King.
“I’m afraid that the man behind Rappaccini Inc. is proving rather evasive,” Hal told his visitors offhandedly, while his eyes continued to scan his screens.
“His business dealings are fairly elaborate, but he’s been effectively invisible