Architects of Emortality - Brian Stableford [36]
“The story so far is that Jafri Biasiolo first became manifest as Rappaccini in 2380,” Hal continued evenly. “That’s when he registered as a member with the Institute of Genetic Art in Sydney. He participated in a number of public exhibitions, including the Great Exhibition of 2405, sometimes putting in personal appearances. Unlike other genetic engineers specializing in flowering plants, Rappaccini never got involved in designing gardens or in the kind of interior decoration that is Dr. Wilde’s chief source of income. He appears to have specialized almost exclusively in the design of funeral wreaths, although his unusual patterns of expenditure suggest that he may have been involved in other business activities under other names.” “What unusual patterns of expenditure?” Lowenthal wanted to know.
“He was a heavy investor in encephalic augmentation research. So was Gabriel King, it seems.” It took Charlotte a second or two to realize that “encephalic augmentation” was the polite term for brain-feed technology. “But that’s illegal!” she blurted out, knowing as soon as the words had passed her lips that it was a stupid thing to say. Attempts to augment the capabilities of the brain by stimulating the growth of extra neurons which could then be hooked up via synthetic synapses to inorganic electronic equipment were currently hedged around by all manner of legal restrictions, as human genetic engineering had been in the days that Oscar Wilde still remembered less than fondly—but those laws were mostly of recent origin. Gabriel King and Jafri Biasiolo were very old men.
“There’s still scope for legitimate inquiry,” was all that Hal said in reply.
Charlotte frowned, realizing that he was being deliberately terse. Obviously, this was a link he was still chasing hard. Lowenthal’s lovely face was impassive, but Charlotte wasn’t convinced that he thought the detail insignificant.
“Rappaccini Inc.’s flowers have always been grown under contract by middlemen,” Hal continued, evidently more than willing to share this aspect of his inquiry.
“Insofar as the corporation can be said to have a home base, it’s located in Australia, in a sector of what used to be called the outback that was re-irrigated for conventional use in the days before the advent of Solid Artificial Photosynthesis. We’re checking the routes by which seeds used to be delivered to the growing areas, trying to backtrack them to the laboratories of origin. Unfortunately, it seems that Rappaccini Inc. hasn’t put anything really new onto the market in forty years, even though the increasing ostentation of funerals has boosted its profits enormously.