Architects of Emortality - Brian Stableford [61]
“He showed me a copy of the second scene-of-crime tape,” Wilde admitted. He was as scrupulous in distributing his marmalade as he had been with the butter.
“We’re still trying to figure out where the woman went after she left Urashima,” Charlotte said, to demonstrate that she had not been idle in this particular matter. “Hal’s set up silvers to monitor every security camera in San Francisco.
If she’s still there, we’ll find her in a matter of hours. If she’s already gone, we ought to be able to pick up her trail by noon. She’s presumably altered her appearance again in order to confuse the standard picture-search programs, but we’ll check every possible match, however tentative. If she moved on quickly enough, though, she might have had time to deliver more packages.” “We must assume that she did move on,” Wilde said, licking a crumb from the corner of his mouth. “You noted, of course, that my name came up in the conversation, as her presentation of the bouquet of amaranths was doubtless intended to ensure. The poem inscribed on the condolence card caused it to be repeated. I do hope that you will not read too much into that.” Charlotte blushed slightly. If he had not caused the card to be placed at the scene of the crime, could he possibly have reacted so calmly? And if he had placed the card there, would he have dared to react so calmly? Reflectively, Wilde quoted in a reverent but rather theatrical whisper: The vilest deeds like poison weeds, Bloom well in prison-air; It is only what is good in Man That wastes and withers there: Pale Anguish keeps the heavy gate, And the Warder is Despair.
“The Ballad of Reading Gaol was, of course, the only thing my poor namesake published after the humiliation of his trial and subsequent imprisonment—which was, of course, far harsher and even more unjust than the punishment visited on Michi Urashima. Perhaps that was why Rappaccini thought the poem particularly apposite.“ “What did you make of the last words he spoke?” Charlotte asked, not wishing to waste any more time in discussing the murderer’s taste in poetry.
“Could you possibly jog my memory by displaying the tape on the wallscreen here?” Wilde countered.
Charlotte shrugged. She punched out a code number to connect the table’s wallscreen to UN headquarters, and sorted through the material that Hal had left for her until she found the tape. Like the one she had displayed for Oscar outside Gabriel King’s apartment, it had been carefully edited from the various spy eyes and bubblebugs which had been witness to Michi Urashima’s murder. She cut to the end.
“I am,” said Urashima’s voice, curiously resonant by virtue of the machine’s enhancement. “I was not what I am, but was not an am, and am not an am even now.
I was and am a man, unless I am a man unmanned, an it both done and undone by I-T.” “Alas,” said Wilde, “I have no idea what it might mean. Could you wind the tape back so that I could take another look at the woman?” Again, Charlotte obliged him, glad of the opportunity to take a more leisurely look herself.
The similarity between the two records was almost eerie. The woman’s hair was silvery blond now, but still abundant. It was arranged in a precipitate cataract of curls. The eyes were the same electric