Architects of Emortality - Brian Stableford [62]
“She carries herself like an angel,” murmured Oscar Wilde, finally pushing his breakfast plate aside, “or a sphinx—with or without a secret.” There was a studied close-up, taken by the door’s eye while the woman was waiting to be admitted, then an abrupt cut to an interior anteroom, where the woman’s entire body could be seen. She was not tall—perhaps a meter fifty-five—and she was very slim. She was wearing a dark blue suitskin now, whose decorative folds hung comfortably upon her seemingly fragile frame. It was the kind of outfit which would not attract much attention in the street.
Like Gabriel King, Michi Urashima was visible only from behind; there was no chance to read the expression on his face as he greeted her. As before, the woman said nothing, but moved naturally into a friendly kiss of greeting before preceding her victim into an inner room beyond the reach of conventional security cameras. There was a brief sight of her which must have been obtained by a bubblebug, but it cut out almost immediately; Urashima had screened the bug. Her departure was similarly recorded by the spy eye. She seemed perfectly composed and serene.
There were more pictures to follow, showing the state of Urashima’s corpse as it had eventually been discovered, and the card bearing the words of the poem penned by the original Oscar Wilde. There were long, lingering close-ups of the fatal flowers. The camera’s eye moved into a black corolla as if it were venturing into the interior of a great greedy mouth, hovering around the crux ansata tip of the bloodred style like a moth fascinated by a flame. There was, of course, a layer of monomol film covering the organism, but its presence merely served to give the black petals a weird sheen, adding to their near supernatural quality.
Charlotte let the tape run through without comment and left the link open when it had finished, after repeating the words they had already heard. “What do you see?” she asked.
“I’m not sure. I’d like to have a closer look at the flowers. It’s difficult to be sure, but I think they were subtly different from the ones which ornamented poor Gabriel’s corpse.” “They are. You’ll get a gentemplate in due course, but Regina Chai’s counterpart in San Francisco has already noted various phenotypical differences, mostly to do with the structure of the flower. It’s another modified Celosia, of course.” “Of course,” Wilde echoed.
“The woman traveled to San Francisco on a scheduled maglev,” Charlotte told him.
“The card she used to buy the ticket connects to a credit account held in the name of Jeanne Duval. It’s a dummy account, of course, but Hal’s tracking down all the transactions that have moved through it. She didn’t use the Duval account to reach New York, and she’ll presumably use another to leave San Francisco.” “It might be worth setting up a search for the names Daubrun and Sabatier,” Wilde suggested. “It’s probably too obvious, but Jeanne Duval was one of Baudelaire’s mistresses, and it’s just possible that she’s got the others on her list of noms de guerre.” Charlotte transmitted this information to await Hal’s return. The maglev was taking them down the western side of the Sierra Nevada now, and she had to swallow air to counteract the effects of the falling pressure on her eardrums.
As she did so she saw Michael Lowenthal making his way through the car, looking wide awake and ready for action.
“By the time we get to San Francisco,” she said to Oscar Wilde, although she was still looking at Lowenthal, “there probably won’t be anything to do except to wait for the next phone