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Atlas Shrugged [364]

By Root 11908 0
muck would be thrown at her, not at him-

when she would have to fight, while he'd be spared? Could he let her existence be turned into a hell he would have no way of sharing?

He sat still, looking up at her, I love you, he said to the girl on the flatcar, silently pronouncing the words that had been the meaning of that moment four years ago, feeling the solemn happiness that belonged with the words, even though this was how he had to say it to her for the first time.

He looked down at the. Gift Certificate. Dagny, he thought, you would not let me do it if you knew, you will hate me for it if you learn-but I cannot let you pay my debts. The fault was mine and I will not shift to you the punishment which is mine to take. Even if I have nothing else now left to me, I have this much: that I see the truth, that I am free of their guilt, that I can now stand guiltless in my own eyes, that I know I am right, right fully and for the first time-and that I will remain faithful to the one commandment of my code which I have never broken: to be a man who pays his own way.

I love you, he said to the girl on the flatcar, feeling as if the light of that summer's sun were touching his forehead, as if he, too, were standing under an open sky over an unobstructed earth, with nothing left to him except himself.

"Well, Mr. Rearden? Are you going to sign?'1 asked Dr. Ferris.

Rearden's eyes moved to him. He had forgotten that Ferris was there, he did not know whether Ferris had been speaking, arguing or waiting in silence.

"Oh, that?" said Rearden.

He picked up a pen and with no second glance, with the easy gesture of a millionaire signing a check, he signed his name at the foot of the Statue of Liberty and pushed the Gift Certificate across the desk.

CHAPTER VII: THE MORATORIUM ON BRAINS

"Where have you been all this time?" Eddie Willers asked the worker in the underground cafeteria, and added, with a smile that was an appeal, an apology and a confession of despair, "Oh, I know it's I who've stayed away from here for weeks." The smile looked like the effort of a crippled child groping for a gesture that he could not perform any longer. "I did come here once, about two weeks ago, but you weren't here that night. I was afraid you'd gone . . . so many people are vanishing without notice. I hear there's hundreds of them roving around the country. The police have been arresting them for leaving their jobs-they're called deserters-but there's too many of them and no food to feed them in jail, so nobody gives a damn any more, one way or another. I hear the deserters are just wandering about, doing odd jobs or worse-who's got any odd jobs to offer these days? . . . It's our best men that we're losing, the kind who've been with the company for twenty years or more. Why did they have to chain them to their jobs? Those men never intended to quit-but now they're quitting at the slightest disagreement, just dropping their tools and walking off, any hour of the day or night, leaving us in all sorts of jams-the men who used to leap out of bed and come running if the railroad needed them. . . . You should see the kind of human driftwood we're getting to fill the vacancies. Some of them mean well, but they're scared of their own shadows. Others are the kind of scum I didn't think existed-they get the jobs and they know that we can't throw them out once they're in, so they make it clear that they don't intend to work for their pay and never did intend. They're the kind of men who like it-who like the way things are now. Can you imagine that there are human beings who like it? Well, there are. . . . You know, I don't think that I really believe it-all that's happening to us these days. It's happening all right, but I don't believe it. I keep thinking that insanity is a state where a person can't tell what's real.

Well, what's real now is insane-and if I accepted it as real, I'd have to lose my mind, wouldn't I? . . . I go on working and I keep telling myself that this is Taggart Transcontinental. I keep waiting for her to come back-for die door

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