Blackwood Farm - Anne Rice [43]
“And then there was Jasmine, our beloved black housekeeper, whom you’ve met, who could in a twinkling change from her kitchen clothes to a swanky black skirt and leopard-skin blouse, along with spike heels of which Aunt Queen would have been proud, to take everyone from room to room, very properly adding to the concoction of tales that she herself had seen Great-great-grandfather William’s ghost in his bedroom, front right, or across the hall from us, as well as the ghost of Great-great-great-aunt Camille tiptoeing up the attic stairs.
“I don’t know that you noticed Jasmine in her fancy red sheath tonight, but Jasmine has the figure of a model, rail thin with strong shoulders, and, with closets of loving cast-offs from Aunt Queen, she cuts a beautiful image as a tour guide, her pale green eyes positively flashing as she tells her earnest ghost stories and sighs before the portraits, or leads the expectant guests to the attic stairs.
“It was Jasmine’s brilliant idea to include the attic in the usual tour, that is, to take the tourists right up and into it, instructing them to notice the delicious smell of the warm wooden rafters as they stood there, and to point out the fine steamer trunks and wardrobe trunks from earlier times, some open and heaped with furs and pearls rather like props for A Streetcar Named Desire, and the wicker wheelchair in which Great-great-grandfather William had spent his last days on the lawn. The attic was—before my own inevitable raid upon it—a wilderness of rare and antique wicker, and tales devolved around it all.
“Let me return to the big picture.
“The bed-and-board guests were always company and a bit of an inspiration to me, because they were often friendly and attractive—I tend to see most people as attractive until someone comes along and points out to me that they’re not—and these people frequently invited me into their rooms, or wanted me to sit down at breakfast with them at the big table and chat about the Manor House, as we so pretentiously called it, and I warmed to all this friendship, and Goblin found it interesting because whenever I spoke to or of him, which was all the time, these guests thought Goblin the most intriguing thing in the world.
“ ‘So you have a little spirit friend!’ one said triumphantly, as though she had discovered Confederate gold buried outside. ‘Tell us about your little ghost,’ said another, and when I petted or stroked Goblin while talking of him, he was very happy, indeed. He would flash on solid for a long time, and only sadly go transparent and then dissolve when he had to.
“I couldn’t have done better had I been a paid performer whose sole occupation was to increase the mystery of Blackwood Farm. And I loved it. And then the guests kicked in their support of the mythology gratis, as I’ve explained, with all their sightings of the Old Man, Manfred, scowling in a mirror, or sweet Virginia Lee, roaming from room to room in search of her orphaned children.
“I learned from all this, from the endless variety with which the tales of our house were woven, and I learned from adults how to think and feel like an adult, and Goblin fed off the easy way in which he fitted into everything. And I came to think of myself from early on as being a maverick like the Old Man.
“Manfred, the Old Man, had come out to these parts in 1881 with a new bride, Virginia Lee. He had started out as a saloon keeper in the Irish Channel but gone on to make a fortune in merchandising in New Orleans, but could find no locale suitable to his visions of splendor and so was drawn north across Lake Pontchartrain to this open land.
“Here he found a parcel of real estate that is composed of high ground on which he could build a fabulous mansion, with servants’ quarters, stables, terraces and pastures, plus two hundred acres of thick swamp in which he could hunt, and a charming abandoned cemetery with its shell of a stone church, a tribute to those whose families had long ago died out or decamped.
“Manfred sent his architects