Blackwood Farm - Anne Rice [44]
“All was for the love of Virginia Lee, who had a particular affection for the cemetery and sometimes went to the empty little stone church to pray.
“The four oak trees that guard the cemetery now were already well grown at that time, and the proximity of the old graveyard to the swamp with its greedy hideous cypress trees and endless tangles of Spanish moss no doubt added to, and adds to, the overall sense of melancholy.
“But she was no sappy Victorian girl, Virginia Lee. She had been an educated and devoted nurse to Manfred in a New Orleans hospital where he suffered a severe bout of Yellow Fever and, like many an Irishman, almost died of the disease. It was with great reluctance that she gave up her vocation to nurse the sick, but Manfred, being much older and very persuasive, successfully enchanted her.
“It was for Virginia Lee that Manfred had the portrait of himself painted, which is now hung in the parlor, and always was, as far as I know. He was in his forties when the portrait was painted, but he had already come to resemble a bulldog in some respects, with heavy jowls, an up-thrust obdurate mouth and large mournful blue eyes. He had thick gray hair by that time, circa 1885, and he still had a full head of it when Aunt Queen had her strange meeting with him some forty years later, when he gave her the cameos before he disappeared into the swamp.
“He doesn’t look like a mean man in the portrait. In fact, I’ve always found the picture strongly compelling, and the man himself must have been lacking in vanity, that he allowed such an honest portrait of himself to be hung in his house.
“Virginia Lee was undeniably pretty, as you saw from her portrait in the dining room, a girlish woman with pale blond hair and intense blue eyes. She was said to have had a quick sense of humor and an eternal but gentle sense of irony, and to be utterly loving to William and Camille, the two surviving children she bore before she died. As to those which she lost to lockjaw and influenza, Isabel and Philip, nothing could ever take her mind off them.
“Galloping consumption is the disease that took Virginia Lee, who had also become quite sick from malaria, and only after a valiant struggle during which she dressed herself completely and independently every day, including the Saturday on which she died, at which time she had carried on amusing conversation, with her famous good cheer and self-deprecating humor, in the front parlor, lying on the sofa, until she took her last breath around noon.
“She was buried in the sky blue dress that she wears in her portrait. And if our house has a family saint, it’s Virginia Lee. I’m not above praying to Virginia Lee.
“It was said that Manfred went out of his head when Virginia Lee died. He roared and mumbled. Not being able to endure the sight of a grave for Virginia Lee in the little cemetery—and it probably wasn’t legal to bury her there in his own backyard anyway—he bought a huge crypt for the entire family in the new Metairie Cemetery in New Orleans, which is where our family are buried to this day.
“I’ve seen the mausoleum twice—when Sweetheart died and when Pops died. I presume little Isabel and Philip were uprooted to the crypt from wherever they’d been buried, but frankly I never asked.
“It’s a small rectangular chapel of marble and granite, this Metairie Cemetery tomb, with two five-foot, well-carved granite guardian angels beside its bronze gates, and a stained-glass window in back. Three coffin slots lie on either side of the little aisle.
“You know how those tombs work, I’m sure. Coffins are placed in the slots until all the slots are full, and then when someone new dies, the oldest coffin is opened up, bones dumped in the vault below the ground, and the coffin smashed to pieces and discarded. The new coffin is given the place of honor above ground.
“It’s where I always thought I’d be buried when I died, but