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Curie, Eve. Madame Curie: A Biography. Translated by Vincent Sheehan. Garden City, NY: Doubleday, 1937.

d’Archimbaud, Nicholas, and Bruno de Cessole. Louvre: Portrait of a Museum. New York: Stewart, Tabori and Chang, 1998.

Darmon, Pierre. Marguerite Steinheil, ingénue criminelle? [Paris]: Perrin, 1996.

Davenport, William W. The Seine: From Its Source, to Paris, to the Sea. New York: McGraw-Hill, 1968.

Decker, Karl. “Why and How the Mona Lisa Was Stolen.” Saturday Evening Post, June 25, 1932.

Delacourt, Frédéric. L’affaire Bande à Bonnot. Paris: De Vecchi, 2006.

Derfler, Leslie. The Dreyfus Affair. Westport, CT: Greenwood Press, 2002.

Deutsch, Yvonne, ed. Science against Crime. New York: Exeter, 1982.

Dilnot, George. Triumphs of Detection: A Book about Detectives. London: Bles, 1929.

Douglas, Charles. Artist Quarter: Reminiscences of Montmartre and Montparnasse in the First Two Decades of the Twentieth Century. London: Faber and Faber, 1941.

Dreiser, Theodore. “Paris.” Century Magazine 86, no. 6 (October 1913).

Duby, Georges, and Robert Mandrou. A History of French Civilization. New York: Random House, 1966.

Dudley, Ernest, and Marguerite Steinheil. The Scarlett Widow. London: Muller, 1960.

Duncan, Martha Grace. Romantic Outlaws, Beloved Prisons: The Unconscious Meanings of Crime and Punishment. New York: New York University Press, 1996.

DuParcq, Georges. Crime Reporter. New York: McBride, 1934.

Duveen, James Henry. Art Treasures and Intrigue. Garden City, NY: Doubleday, Doran, 1935.

Eco, Umberto, and Alastair McEwen. History of Beauty. New York: Rizzoli, 2004.

Edwards, Samuel. The Vidocq Dossier: The Story of the World’s First Detective. Boston: Houghton Mifflin, 1977.

Eksteins, Modris. Rites of Spring: The Great War and the Birth of the Modern Age. New York: Anchor Books, 1990.

Esterow, Milton. The Art Stealers. New York: Macmillan, 1966.

Evans, Colin. The Casebook of Forensic Detection: How Science Solved 100 of the World’s Most Baffling Crimes. New York: Wiley, 1996.

Evenson, Norma. Paris: A Century of Change, 1878–1978. New Haven: Yale University Press, 1979.

Everdell, William R. The First Moderns: Profiles in the Origins of Twentieth-Century Thought. Chicago: University of Chicago Press, 1997.

Faux dans l’art et dans l’histoire. Paris: Grand Palais, 1955.

Fleming, William. Art and Ideas. 6th ed. New York: Holt, Rinehart and Winston, 1980.

Fosdick, Raymond B. “The Passing of the Bertillon System of Identification.” Journal of the American Institute of Criminal Law and Criminology 6, no. 3 (September 1915): 363–69.

Franck, Dan. The Bohemians: The Birth of Modern Art, Paris 1900–1930. Translated by Cynthia Hope LeBow. London: Weidenfeld and Nicolson, 2001.

Freud, Sigmund. Leonardo da Vinci and a Memory of His Childhood. New York: Norton, 1964.

Freundschuh, Aaron. “Crime Stories in the Historical Landscape: Narrating the Theft of the Mona Lisa.” Urban History 33, no. 2 (2006).

Gaboriau, Émile. Monsieur Lecoq. New York: Dover, 1975.

Galison, Peter. Einstein’s Clocks, Poincaré’s Maps: Empires of Time. New York: Norton, 2003.

Garde, Serge, Rémi Gardebled, and Valérie Mauro. Guide du Paris des faits divers du moyen-âge à nos jours. Paris: Cherche Midi, 2004.

Gay, Peter. Modernism: The Lure of Heresy; From Baudelaire to Beckett and Beyond. New York: Norton, 2008.

Gee, Malcolm. Dealers, Critics, and Collectors of Modern Painting: Aspects of the Parisian Art Market between 1910 and 1930. Outstanding Dissertations in the Fine Arts. New York: Garland, 1981.

Gerould, Daniel Charles. Guillotine: Its Legend and Lore. New York: Blast Books, 1992.

Gersh-Nešic, Beth S. The Early Criticism of André Salmon: A Study of His Thoughts on Cubism. New York: Garland, 1991.

Gide, André. The Journals of André Gide, 1889–1949. New York: Vintage Books, 1956.

Giroud, Françoise. Marie Curie: A Life. New York: Holmes and Meier, 1986.

Gold, Arthur, and Robert Fizdale. Misia: The Life of Misia Sert. New York: Knopf, 1980.

Golding, John. Cubism: A History and an Analysis, 1907–1914. Rev. American