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———. “The Demoiselles d’Avignon.” Burlington Magazine 100, no. 662 (1958): 154–63.

Goldsmith, Barbara. Obsessive Genius: The Inner World of Marie Curie. London: Weidenfeld and Nicolson, 2005.

Goldwater, Robert John, and Marco Treves. Artists on Art: From the XIV to the XX Century. New York: Pantheon Books, 1972.

Gordon, Mel. The Grand Guignol: Theatre of Fear and Terror. Rev. ed. New York: Da Capo Press, 1997.

Gosling, Nigel. The Adventurous World of Paris, 1900–1914. New York: Morrow, 1978.

Gramont, Sanche de. The French: Portrait of a People. New York: Putnam’s, 1969.

Green, Christopher. Art in France, 1900–1940. New Haven, CT: Yale University Press, 2000.

Greenwall, Harry J. Paris Calling: Stories and Anecdotes of Twenty-Five Years in the French Capital. London: Hurst and Blackett, 1932.

Gribbin, John R. The Scientists: A History of Science Told through the Lives of Its Greatest Inventors. New York: Random House, 2003.

Gribbin, John R., and Mary Gribbin. Almost Everyone’s Guide to Science: The Universe, Life, and Everything. New Haven: Yale Nota Bene/Yale University Press, 2000.

Gribble, Leonard R. Famous Feats of Detection and Deduction. Garden City, NY: Doubleday, Doran, 1934.

Grierson, Francis Durham. The Compleat Crook — in France. London: Butterworth, 1934.

———. Famous French Crimes. London: Muller, 1959.

Guilbert, Yvette, and Harold Simpson. Yvette Guilbert: Struggles and Victories. London: Mills and Boon, 1910.

Gunning, Tom. “A Tale of Two Prologues: Actors and Roles, Detectives and Disguises in Fantômas, Film and Novel.” Velvet Light Trap, no. 37 (Spring 1996).

Haight, Mary Ellen Jordan. Paris Portraits, Renoir to Chanel: Walks on the Right Bank. Salt Lake City: Peregrine Smith Books, 1991.

———. Walks in Gertrude Stein’s Paris. Salt Lake City: Peregrine Smith Books, 1988.

Haine, W. Scott. The World of the Paris Café: Sociability among the French Working Class, 1789–1914. Baltimore: Johns Hopkins University Press, 1999.

Halasz, Nicholas. Captain Dreyfus: The Story of Mass Hysteria. New York: Simon and Schuster, 1968.

Hale, Oron J. The Great Illusion, 1900–1914. The Rise of Modern Europe. New York: Harper and Row, 1971.

Hall, Peter Geoffrey. Cities in Civilization: Culture, Innovation, and Urban Order. London: Weidenfeld and Nicolson, 1998.

Hamilton, George Heard. Painting and Sculpture in Europe, 1880–1940. The Pelican History of Art. Baltimore: Penguin Books, 1972.

Harriss, Joseph A. “Seeking Mona Lisa.” Smithsonian 30, no. 2 (May 1999).

Harvey, David. The Conditions of Postmodernity: An Enquiry into the Origins of Cultural Change. Oxford: Blackwell, 1989.

Hecht, Jennifer Michael. The End of the Soul: Scientific Modernity, Atheism, and Anthropology in France. New York: Columbia University Press, 2003.

———. “French Scientific Materialism and the Liturgy of Death: The Invention of a Secular Version of Catholic Last Rites (1876–1914).” French Historical Studies 20, no. 4 (Fall 1997).

Heisenberg, Werner. Physics and Philosophy: The Revolution in Modern Science. New York: Harper, 1958.

Henderson, Linda Dalrymple. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.

Herbert, Rosemary. The Oxford Companion to Crime and Mystery Writing. New York: Oxford University Press, 1999.

Higonnet, Patrice. Paris: Capital of the World. Translated by Arther Goldhammer. Cambridge, MA: Belknap Press, 2002.

Hoffmann, Stanley, and Harvard University, Center for International Affairs. In Search of France: The Economy, Society, and Political System in the Twentieth Century. New York: Harper and Row, 1965.

Holmes, Diana, and Carrie Tarr. A “Belle Epoque”?: Women in French Society and Culture, 1890–1914. New York: Berghahn Books, 2006.

Horne, Alistair. The Fall of Paris: The Siege and the Commune, 1870–1871. Garden City, NY: Anchor Books, 1967.

———. Seven Ages of Paris. New York: Vintage Books, 2004.

Huddleston, Sisley. Paris Salons, Cafés, Studios. New York: Blue Ribbon Books, 1928.

Huer, Jon. The Great