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Locard, Edmond, and Robert Corvol. Mémoires d’un criminologiste. Paris: Fayard, 1957.

Lofficier, Jean-Marc, and Randy Lofficier. Shadowmen: Heroes and Villains of French Pulp Fiction. Encino, CA: Black Coat Press, 2003.

Logan, Guy B. H. Rope, Knife and Chain: Studies of English, French, and American Crimes. London: Stanley Paul, 1930.

Longstreet, Stephen. We All Went to Paris: Americans in the City of Light, 1776–1971. New York: Macmillan, 1972.

Lucas, Netley. Criminal Paris. London: Hurst and Blackett, 1926.

Luhan, Mabel Dodge. European Experiences. New York: Harcourt, Brace, 1935.

Lynton, Norbert. The Story of Modern Art. Ithaca, NY: Cornell University Press, 1980.

MacDonald, John F. “Paris and Mme. Steinheil.” Fortnightly Review 92 (December 1909).

Mackworth, Cecily. Guillaume Apollinaire and the Cubist Life. New York: Horizon Press, 1963.

Mailer, Norman. Portrait of Picasso as a Young Man: An Interpretative Biography. New York: Atlantic Monthly Press, 1995.

Mandell, Richard. Paris 1900. Toronto: University of Toronto Press, 1967.

March, Harold. The Two Worlds of Marcel Proust. New York: Barnes, 1961.

Marquis, Alice Goldfarb, and Marcel Duchamp. Marcel Duchamp: The Bachelor Stripped Bare; A Biography. Boston: MFA Publications, a division of the Museum of Fine Arts, 2002.

Marriner, Brian. On Death’s Bloody Trail: Murder and the Art of Forensic Science. New York: St. Martin’s Press, 1993.

Martin, Benjamin F. Crime and Criminal Justice under the Third Republic: The Shame of Marianne. Baton Rouge: Louisiana State University Press, 1990.

———. The Hypocrisy of Justice in the Belle Epoque. Baton Rouge: Louisiana State University Press, 1984.

Martin, Marianne W. Futurist Art and Theory, 1900–1915. Oxford: Clarendon Press, 1968.

Martin Du Gard, Roger. Jean Barois. New York: Viking Press, 1949.

Mason, Raymond. At Work in Paris: Raymond Mason on Art and Artists. New York: Thames and Hudson, 2003.

Masur, Gerhard. Prophets of Yesterday: Studies in European Culture, 1890–1914. New York: Macmillan, 1961.

Matsuda, Matt K. The Memory of the Modern. New York: Oxford University Press, 1996.

Maurois, André. Proust: Portrait of a Genius. New York: Harper, 1950.

McLaren, Angus. The Trials of Masculinity: Policing Sexual Boundaries, 1870–1930. The Chicago Series on Sexuality, History, and Society. Chicago: University of Chicago Press, 1997.

McLeave, Hugh. Rogues in the Gallery: The Modern Plague of Art Thefts. Boston: Godine, 1981.

McMillan, James F. Dreyfus to De Gaulle: Politics and Society in France, 1898–1969. London: Arnold, 1985.

McMullen, Roy. Mona Lisa: The Picture and the Myth. Boston: Houghton Mifflin, 1975.

Mellow, James R. Charmed Circle: Gertrude Stein and Company. New York: Praeger, 1975.

Miller, Arthur I. Einstein, Picasso: Space, Time and the Beauty That Causes Havoc. New York: Basic Books, 2001.

———. Insights of Genius: Imagery and Creativity in Science and Art. New York: Copernicus, 1996.

Morain, Alfred. The Underworld of Paris: Secrets of the Sûreté. London: Jarrolds, 1929.

Morton, James. Gangland: The Early Years. London: Time Warner Paperbacks, 2004.

Murch, A. E. The Development of the Detective Novel. Port Washington, NY: Kennikat Press, 1968.

Murphy, Bruce. The Encyclopedia of Murder and Mystery. New York: St. Martin’s Minotaur, 1999.

Museum of Modern Art (New York, NY), and Alfred Hamilton Barr. Masters of Modern Art. Garden City, NY: Doubleday, 1958.

Nash, Jay Robert. Encyclopedia of World Crime: Criminal Justice, Criminology, and Law Enforcement. 4 vols. Wilmette, IL: CrimeBooks, 1990, 1999.

———. Look for the Woman: A Narrative Encyclopedia of Female Poisoners, Kidnappers, Thieves, Extortionists, Terrorists, Swindlers, and Spies, from Elizabethan Times to the Present. New York: Evans, 1981.

Nesbit, Molly. “The Rat’s Ass.” October 56 (Spring 1991): 6–20.

Olivier, Fernande. Loving Picasso: The Private Journal of Fernande Olivier. New York: Abrams, 2001.

———. Picasso and His Friends. New York: Appleton-Century, 1965.

Osterburg, James W.,