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Paléologue, Maurice. An Intimate Journal of the Dreyfus Case. New York: Criterion Books, 1957.

Panek, LeRoy Lad. An Introduction to the Detective Story. Bowling Green, OH: Bowling Green State University Popular Press, 1987.

Parry, Richard. The Bonnot Gang. London: Rebel Press, 1987.

Parsons, Ernest Bryham. Pot-Pourri Parisien. London: Argus, 1912.

Pate, Janet. The Book of Sleuths. Chicago: Contemporary Books, 1977.

Pater, Walter. The Renaissance: Studies in Art and Poetry. New York: Mentor, 1959.

Paul, Robert S. Whatever Happened to Sherlock Holmes: Detective Fiction, Popular Theology, and Society. Carbondale: Southern Illinois University Press, 1991.

Perrot, Michelle, ed. A History of Private Life. Vol. 4, From the Fires of Revolution to the Great War. Cambridge, MA: Belknap Press, 1990.

Pflaum, Rosalynd. Grand Obsession: Madame Curie and Her World. New York: Doubleday, 1989.

Poincaré, Henri. Science and Hypothesis. New York: Dover, 1952.

Poincaré, Raymond, and George Arthur. The Memoirs of Raymond Poincaré, 1914. London: Heinemann, 1929.

Porter, Dennis. The Pursuit of Crime: Art and Ideology in Detective Fiction. New Haven: Yale University Press, 1981.

Quinn, Arthur Hobson. Edgar Allan Poe: A Critical Biography. Baltimore: Johns Hopkins University Press, 1998.

Quinn, Susan. Marie Curie: A Life. New York: Simon and Schuster, 1995.

Read, Herbert Edward. A Concise History of Modern Painting. New York: Praeger, 1959.

Rearick, Charles. Pleasures of the Belle Époque: Entertainment and Festivity in Turn-of-the-Century France. New Haven: Yale University Press, 1985.

Reit, Seymour. The Day They Stole the Mona Lisa. New York: Summit Books, 1981.

Rhodes, Henry T. F. Alphonse Bertillon: Father of Scientific Detection. New York: Greenwood, 1968.

———. Clues and Crime: The Science of Criminal Investigation. London: Murray, 1933.

———. Some Persons Unknown: Being an Account of Scientific Detection. London: Murray, 1931.

Richards, E. E. The Louvre. Boston: Small, Maynard, 1912.

Richardson, John, and Marilyn McCully. A Life of Picasso. Vol. 1, 1881–1906. New York: Knopf, 1991.

———. A Life of Picasso. Vol. 2, 1907–1917. New York: Random House, 1996.

Richardson, John, Public Education Association of the City of New York., and M. Knoedler and Co. Picasso: An American Tribute [Exhibition] April 25–May 12, 1962 [for the Benefit of the Public Education Association]. New York: Public Education Association, 1962.

Roberts, Mary Louise. Disruptive Acts: The New Woman in Fin-de-Siècle France. Chicago: University of Chicago Press, 2002.

Robinson, Henry Morton. Science versus Crime. Indianapolis: Bobbs-Merrill, 1935.

Rookmaaker, H. R. Modern Art and the Death of a Culture. Downers Grove, IL: Inter-Varsity Press, 1970.

Rothstein, Edward. “A Case for Sherlock: The Double Helix of Crime Fiction.” New York Times, March 4, 2000.

Rudorff, Raymond. The Belle Epoque: Paris in the Nineties. New York: Saturday Review Press, 1973.

Sachs, Samuel, II. “Fakes and Forgeries.” Minneapolis Institute of Arts, 1973.

Saferstein, Richard. Criminalistics: An Introduction to Forensic Science. 2nd ed. Englewood Cliffs, NJ: Prentice-Hall, 1981.

Salmon, André. Souvenirs sans fin, deuxième époque (1908–1920). Paris: Gallimard, 1956.

———. Souvenirs sans fin, troisième époque (1920–1940). Paris: Gallimard, 1961.

Sannié, Charles. Eléménts de police scientifique. Paris: Hermann et Cie, 1938.

Sartre, Jean-Paul. The Words. Translated by Bernard Frechtman. New York: Vintage Books, 1981.

Sassoon, Donald. Becoming Mona Lisa: The Making of a Global Icon. San Diego: Harcourt, 2001.

Saunders, Edith. The Mystery of Marie Lafarge. London: Clerke and Cockeran, 1951.

Sayre, Henry M. A World of Art. 2nd ed. Upper Saddle River, NJ: Prentice Hall, 1997.

Scharf, Aaron. Art and Photography. Baltimore: Penguin, 1974.

Schmitz, E. Robert. The Piano Works of Claude Debussy. New York: Duell, 1950.

Schüller, Sepp. Forgers, Dealers, Experts: Strange Chapters