Dragonfly in Amber - Diana Gabaldon [225]
A few days later I woke to the sound of insistent voices near my ear, and the touch of hands lifting me from the bed. The arms that held me were strong and masculine, and for a moment, I felt afloat in joy. Then I woke all the way, struggling feebly against a wave of tobacco and cheap wine, to find myself in the grasp of Hugo, Louise de La Tour’s enormous footman.
“Put me down!” I said, batting at him weakly. He looked startled at this sudden resurrection from the dead, and nearly dropped me, but a high, commanding voice stopped both of us.
“Claire, my dear friend! Do not be afraid, ma chère, it’s all right. I am taking you to Fontainebleau. The air, and good food—it’s what you need. And rest, you need rest…”
I blinked against the light like a newborn lamb. Louise’s face, round, pink, and anxious, floated nearby like a cherub on a cloud. Mother Hildegarde stood behind her, tall and stern as the angel at the gates of Eden, the heavenly illusion enhanced by the fact that they were both standing in front of the stained-glass window in the vestibule of the Hôpital.
“Yes,” she said, her deep voice making the simplest word more emphatic than all Louise’s twittering. “It will be good for you. Au revoir, my dear.”
And with that, I was borne down the steps of the Hôpital and stuffed willy-nilly into Louise’s coach, with neither strength nor will to protest.
The bumping of the coach over potholes and ruts kept me awake on the journey to Fontainebleau. That, and Louise’s constant conversation, aimed at reassurance. At first I made some dazed attempt to respond, but soon realized that she required no answers, and in fact, talked more easily without them.
After days in the cool gray stone vault of the Hôpital, I felt like a freshly unwrapped mummy, and shrank from the assault of so much brightness and color. I found it easier to deal with if I drew back a bit, and let it all wash past me without trying to distinguish its elements.
This strategy worked until we reached a small wood just outside Fontainebleau. The trunks of the oaks were dark and thick, with low, spreading canopies that shadowed the ground beneath with shifting light, so that the whole wood seemed to be moving slightly in the wind. I was vaguely admiring the effect, when I noticed that some of what I had assumed to be tree trunks were in fact moving, turning very slowly to and fro.
“Louise!” My exclamation and my grip on her arm stopped her chatter in mid-word.
She lunged heavily across me to see what I was looking at, then flopped back to her side of the carriage and thrust her head out of the window, shouting at the coachman.
We came to a slithering, dusty halt just opposite the wood. There were three of them, two men and a woman. Louise’s high, agitated voice went on, expostulating and questioning, punctuated by the coachman’s attempts to explain or apologize, but I paid no attention.
In spite of their turning and the small fluttering of their clothing, they were very still, more inert than the trees that held them. The faces were black with suffocation; Monsieur Forez wouldn’t have approved at all, I thought, through the haze of shock. An amateur execution, but effective, for all that. The wind shifted, and a faint, gassy stink blew over us.
Louise shrieked and pounded on the window frame in a frenzy of indignation, and the carriage started with a jerk that rocked her back in the seat.
“Merde!” she said, rapidly fanning her flushed face. “The idiocy of that fool, stopping like that right there! What recklessness! The shock of it is bad for the baby, I am sure, and you, my poor dear.…oh, dear, my poor Claire! I’m so sorry, I didn’t mean to remind you…how can you forgive me, I’m so tactless…”
Luckily her agitation