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Dragonfly in Amber - Diana Gabaldon [226]

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at possibly having upset me made her forget her own upset at sight of the bodies, but it was very wearying, trying to stem her apologies. At last, in desperation, I changed the subject back to the hanged ones.

“Who?” The distraction worked; she blinked, and remembering the shock to her système, pulled out a bottle of ammoniac spirits and took a hearty sniff that made her sneeze in reflex.

“Hugue…choo! Huguenots,” she got out, snorting and wheezing. “Protestant heretics. That’s what the coachman says.”

“They hang them? Still?” Somehow, I had thought such religious persecution a relic of earlier times.

“Well, not just for being Protestants usually, though that’s enough,” Louise said, sniffing. She dabbed her nose delicately with an embroidered handkerchief, examined the results critically, then reapplied the cloth to her nose and blew it with a satisfying honk.

“Ah, that’s better.” She tucked the handkerchief back in her pocket and leaned back with a sigh. “Now I am restored. What a shock! If they have to hang them, that’s all well, but must they do so by a public thoroughfare, where ladies must be exposed to such disgustingness? Did you smell them? Pheew! This is the Comte Medard’s land; I’ll send him a very nasty letter about it, see if I don’t.”

“But why did they hang these people?” I asked, interrupting in the brutal manner that was the only possible way of actually conversing with Louise.

“Oh, witchcraft, most likely. There was a woman, you saw. Usually it’s witchcraft when the women are involved. If it’s only men, most often it’s just preaching sedition and heresy, but the women don’t preach. Did you see the ugly dark clothes she had on? Horrible! So depressing only to wear dark colors all the time; what kind of religion would make its followers wear such plain clothes all the time? Obviously the Devil’s work, anyone can see that. They are afraid of women, that’s what it is, so they…”

I closed my eyes and leaned back in the seat. I hoped it wasn’t very far to Louise’s country house.

* * *

In addition to the monkey, from whom she would not be parted, Louise’s country house contained a number of other decorations of dubious taste. In Paris, her husband’s taste and her father’s must be consulted, and the rooms of the house there were consequently done richly, but in subdued tones. But Jules seldom came to the country house, being too busy in the city, and so Louise’s taste was allowed free rein.

“This is my newest toy; is it not lovely?” she cooed, running her hand lovingly over the carved dark wood of a tiny house that sprouted incongruously from the wall next to a gilt-bronze sconce in the shape of Eurydice.

“That looks like a cuckoo clock,” I said disbelievingly.

“You have seen one before? I didn’t think there were any to be found anywhere in Paris!” Louise pouted slightly at the thought that her toy might not be unique, but brightened as she twisted the hands of the clock to the next hour. She stood back, beaming proudly as the tiny clockwork bird stuck its head out and emitted several shrill Cuckoo!s in succession.

“Isn’t it precious?” She touched the bird’s head briefly as it disappeared back into its hidey-hole. “Berta, the housekeeper here, got it for me; her brother brought it all the way from Switzerland. Whatever you want to say about the Swiss, they are clever woodcarvers, no?”

I wanted to say no, but instead merely murmured something tactfully admiring.

Louise’s grasshopper mind leaped nimbly to a new topic, possibly triggered by thoughts of Swiss servants.

“You know, Claire,” she said, with a touch of reproof, “you ought really to come to Mass in the chapel each morning.”

“Why?”

She tossed her head in the direction of the doorway, where one of the maids was passing with a tray.

“I don’t care at all, myself, but the servants—they’re very superstitious out here in the countryside, you know. And one of the footmen from the Paris house was foolish enough to tell the cook all about that silly story of your being La Dame Blanche. I have told them that’s all nonsense, of course, and threatened

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