Edison, His Life and Inventions [290]
of France lent me his private box. The Opera-House was one of the first to be lighted by the incandescent lamp, and the managers took great pleasure in showing me down through the labyrinth containing the wiring, dynamos, etc. When I came into the box, the orchestra played the `Star-Spangled Banner,' and all the people in the house arose; whereupon I was very much embarrassed. After I had been an hour at the play, the manager came around and asked me to go underneath the stage, as they were putting on a ballet of 300 girls, the finest ballet in Europe. It seems there is a little hole on the stage with a hood over it, in which the prompter sits when opera is given. In this instance it was not occupied, and I was given the position in the prompter's seat, and saw the whole ballet at close range.
"The city of Paris gave me a dinner at the new Hotel de Ville, which was also lighted with the Edison system. They had a very fine installation of machinery. As I could not understand or speak a word of French, I went to see our minister, Mr. Whitelaw Reid, and got him to send a deputy to answer for me, which he did, with my grateful thanks. Then the telephone company gave me a dinner, and the engineers of France; and I attended the dinner celebrating the fiftieth anniversary of the discovery of photography. Then they sent to Reid my decoration, and they tried to put a sash on me, but I could not stand for that. My wife had me wear the little red button, but when I saw Americans coming I would slip it out of my lapel, as I thought they would jolly me for wearing it."
Nor was this all. Edison naturally met many of the celebrities of France: "I visited the Eiffel Tower at the invitation of Eiffel. We went to the top, where there was an extension and a small place in which was Eiffel's private office. In this was a piano. When my wife and I arrived at the top, we found that Gounod, the composer, was there. We stayed a couple of hours, and Gounod sang and played for us. We spent a day at Meudon, an old palace given by the government to Jansen, the astronomer. He occupied three rooms, and there were 300. He had the grand dining-room for his laboratory. He showed me a gyroscope he had got up which made the incredible number of 4000 revolutions in a second. A modification of this was afterward used on the French Atlantic lines for making an artificial horizon to take observations for position at sea. In connection with this a gentleman came to me a number of years afterward, and I got out a part of some plans for him. He wanted to make a gigantic gyroscope weighing several tons, to be run by an electric motor and put on a sailing ship. He wanted this gyroscope to keep a platform perfectly horizontal, no matter how rough the sea was. Upon this platform he was going to mount a telescope to observe an eclipse off the Gold Coast of Africa. But for some reason it was never completed.
"Pasteur invited me to come down to the Institute, and I went and had quite a chat with him. I saw a large number of persons being inoculated, and also the whole modus operandi, which was very interesting. I saw one beautiful boy about ten, the son of an English lord. His father was with him. He had been bitten in the face, and was taking the treatment. I said to Pasteur, `Will he live?' `No,' said he, `the boy will be dead in six days. He was bitten too near the top of the spinal column, and came too late!' "
Edison has no opinion to offer as an expert on art, but has his own standard of taste: "Of course I visited the Louvre and saw the Old Masters, which I could not enjoy. And I attended the Luxembourg, with modern masters, which I enjoyed greatly. To my mind, the Old Masters are not art, and I suspect that many others are of the same opinion; and that their value is in their scarcity and in the variety of men with lots of money." Somewhat akin to this is a shrewd comment on one feature of the Exposition: "I spent several days in the Exposition at Paris. I remember going to the exhibit of the Kimberley diamond mines, and they kindly permitted me to
"The city of Paris gave me a dinner at the new Hotel de Ville, which was also lighted with the Edison system. They had a very fine installation of machinery. As I could not understand or speak a word of French, I went to see our minister, Mr. Whitelaw Reid, and got him to send a deputy to answer for me, which he did, with my grateful thanks. Then the telephone company gave me a dinner, and the engineers of France; and I attended the dinner celebrating the fiftieth anniversary of the discovery of photography. Then they sent to Reid my decoration, and they tried to put a sash on me, but I could not stand for that. My wife had me wear the little red button, but when I saw Americans coming I would slip it out of my lapel, as I thought they would jolly me for wearing it."
Nor was this all. Edison naturally met many of the celebrities of France: "I visited the Eiffel Tower at the invitation of Eiffel. We went to the top, where there was an extension and a small place in which was Eiffel's private office. In this was a piano. When my wife and I arrived at the top, we found that Gounod, the composer, was there. We stayed a couple of hours, and Gounod sang and played for us. We spent a day at Meudon, an old palace given by the government to Jansen, the astronomer. He occupied three rooms, and there were 300. He had the grand dining-room for his laboratory. He showed me a gyroscope he had got up which made the incredible number of 4000 revolutions in a second. A modification of this was afterward used on the French Atlantic lines for making an artificial horizon to take observations for position at sea. In connection with this a gentleman came to me a number of years afterward, and I got out a part of some plans for him. He wanted to make a gigantic gyroscope weighing several tons, to be run by an electric motor and put on a sailing ship. He wanted this gyroscope to keep a platform perfectly horizontal, no matter how rough the sea was. Upon this platform he was going to mount a telescope to observe an eclipse off the Gold Coast of Africa. But for some reason it was never completed.
"Pasteur invited me to come down to the Institute, and I went and had quite a chat with him. I saw a large number of persons being inoculated, and also the whole modus operandi, which was very interesting. I saw one beautiful boy about ten, the son of an English lord. His father was with him. He had been bitten in the face, and was taking the treatment. I said to Pasteur, `Will he live?' `No,' said he, `the boy will be dead in six days. He was bitten too near the top of the spinal column, and came too late!' "
Edison has no opinion to offer as an expert on art, but has his own standard of taste: "Of course I visited the Louvre and saw the Old Masters, which I could not enjoy. And I attended the Luxembourg, with modern masters, which I enjoyed greatly. To my mind, the Old Masters are not art, and I suspect that many others are of the same opinion; and that their value is in their scarcity and in the variety of men with lots of money." Somewhat akin to this is a shrewd comment on one feature of the Exposition: "I spent several days in the Exposition at Paris. I remember going to the exhibit of the Kimberley diamond mines, and they kindly permitted me to