Essays of Travel [87]
to them; and the turn of a phrase goes further than humour or wisdom. By the professional writer many sad vicissitudes have to be undergone. At first he cannot write at all. The heart, it appears, is unequal to the pressure of business, and the brain, left without nourishment, goes into a mild decline. Next, some power of work returns to him, accompanied by jumping headaches. Last, the spring is opened, and there pours at once from his pen a world of blatant, hustling polysyllables, and talk so high as, in the old joke, to be positively offensive in hot weather. He writes it in good faith and with a sense of inspiration; it is only when he comes to read what he has written that surprise and disquiet seize upon his mind. What is he to do, poor man? All his little fishes talk like whales. This yeasty inflation, this stiff and strutting architecture of the sentence has come upon him while he slept; and it is not he, it is the Alps, who are to blame. He is not, perhaps, alone, which somewhat comforts him. Nor is the ill without a remedy. Some day, when the spring returns, he shall go down a little lower in this world, and remember quieter inflections and more modest language. But here, in the meantime, there seems to swim up some outline of a new cerebral hygiene and a good time coming, when experienced advisers shall send a man to the proper measured level for the ode, the biography, or the religious tract; and a nook may be found between the sea and Chimborazo, where Mr. Swinburne shall be able to write more continently, and Mr. Browning somewhat slower.
Is it a return of youth, or is it a congestion of the brain? It is a sort of congestion, perhaps, that leads the invalid, when all goes well, to face the new day with such a bubbling cheerfulness. It is certainly congestion that makes night hideous with visions, all the chambers of a many-storeyed caravanserai, haunted with vociferous nightmares, and many wakeful people come down late for breakfast in the morning. Upon that theory the cynic may explain the whole affair - exhilaration, nightmares, pomp of tongue and all. But, on the other hand, the peculiar blessedness of boyhood may itself be but a symptom of the same complaint, for the two effects are strangely similar; and the frame of mind of the invalid upon the Alps is a sort of intermittent youth, with periods of lassitude. The fountain of Juventus does not play steadily in these parts; but there it plays, and possibly nowhere else.
CHAPTER XIII - ROADS - 1873
No amateur will deny that he can find more pleasure in a single drawing, over which he can sit a whole quiet forenoon, and so gradually study himself into humour with the artist, than he can ever extract from the dazzle and accumulation of incongruous impressions that send him, weary and stupefied, out of some famous picture- gallery. But what is thus admitted with regard to art is not extended to the (so-called) natural beauties no amount of excess in sublime mountain outline or the graces of cultivated lowland can do anything, it is supposed, to weaken or degrade the palate. We are not at all sure, however, that moderation, and a regimen tolerably austere, even in scenery, are not healthful and strengthening to the taste; and that the best school for a lover of nature is not to the found in one of those countries where there is no stage effect - nothing salient or sudden, - but a quiet spirit of orderly and harmonious beauty pervades all the details, so that we can patiently attend to each of the little touches that strike in us, all of them together, the subdued note of the landscape. It is in scenery such as this that we find ourselves in the right temper to seek out small sequestered loveliness. The constant recurrence of similar combinations of colour and outline gradually forces upon us a sense of how the harmony has been built up, and we become familiar with something of nature's mannerism. This is the true pleasure of your 'rural voluptuary,' - not to remain
Is it a return of youth, or is it a congestion of the brain? It is a sort of congestion, perhaps, that leads the invalid, when all goes well, to face the new day with such a bubbling cheerfulness. It is certainly congestion that makes night hideous with visions, all the chambers of a many-storeyed caravanserai, haunted with vociferous nightmares, and many wakeful people come down late for breakfast in the morning. Upon that theory the cynic may explain the whole affair - exhilaration, nightmares, pomp of tongue and all. But, on the other hand, the peculiar blessedness of boyhood may itself be but a symptom of the same complaint, for the two effects are strangely similar; and the frame of mind of the invalid upon the Alps is a sort of intermittent youth, with periods of lassitude. The fountain of Juventus does not play steadily in these parts; but there it plays, and possibly nowhere else.
CHAPTER XIII - ROADS - 1873
No amateur will deny that he can find more pleasure in a single drawing, over which he can sit a whole quiet forenoon, and so gradually study himself into humour with the artist, than he can ever extract from the dazzle and accumulation of incongruous impressions that send him, weary and stupefied, out of some famous picture- gallery. But what is thus admitted with regard to art is not extended to the (so-called) natural beauties no amount of excess in sublime mountain outline or the graces of cultivated lowland can do anything, it is supposed, to weaken or degrade the palate. We are not at all sure, however, that moderation, and a regimen tolerably austere, even in scenery, are not healthful and strengthening to the taste; and that the best school for a lover of nature is not to the found in one of those countries where there is no stage effect - nothing salient or sudden, - but a quiet spirit of orderly and harmonious beauty pervades all the details, so that we can patiently attend to each of the little touches that strike in us, all of them together, the subdued note of the landscape. It is in scenery such as this that we find ourselves in the right temper to seek out small sequestered loveliness. The constant recurrence of similar combinations of colour and outline gradually forces upon us a sense of how the harmony has been built up, and we become familiar with something of nature's mannerism. This is the true pleasure of your 'rural voluptuary,' - not to remain