First Daughter - Eric van Lustbader [142]
Walking back to Shepherd Street, he found himself across the street from an ugly U-shaped structure hugging a courtyard with four withered trees, a Maginot Line of evergreen shrubs, fully a third of which were as brown and useless as sun-scorched newspapers. The hotel itself was three stories of pale yellow brick. Access to the apartments was via metal staircases at the center and either end of the U, along raw concrete catwalks that ran the length of the building. There was a coarseness about it, a glittery shabbiness, like a Christmas present wrapped in used paper. Had it been painted turquoise or flamingo, it could have passed as a down-at-the-heels Florida condo.
Jack kept away from the occasional dazzle as passing cars lit up sections of the sidewalk. He crossed the street, found his way to the manager's apartment. Even through the door he could hear the blare of the TV. Waiting for a seconds-long silence, he rapped hard on the door. The blare started up again, louder this time, which meant a commercial had come on. A moment later, the door was yanked open the length of a brass chain.
Dark eyes in a square, heavy-jawed face looked him up and down. "Not interested."
Jack put his foot across the doorjamb, flashed his ID even as the door began to swing shut. "I need some information," he said.
"What kind of information?" the manager said in a voice like a pit bull's growl.
"The kind you don't want to give me while I'm standing out here."
The dark eyes got small and piggy. "You're not from INS? All my workers are legit."
"Sure they are, but I don't care. I'm not from Immigration."
The manager nodded, Jack took his foot away, and the door closed enough for Pig-Eyes to unlatch the chain. Jack walked into a low-ceilinged apartment with small rooms made even smaller by enough sofas, chairs—upholstered and otherwise—and tables of all sizes and shapes to furnish the Carson's Chevy Chase mansion. The manager muted the TV. Images of Fred Flintstone and Barney Rubble chased themselves across the screen.
"You have a tenant here by the name of Charles Whitman?"
"No."
"How about checking your records?"
"No need," Pig-Eyes said. "I know everyone who lives here."
"How about Ron Kray?"
"No Kray here."
"Ian Brady."
Pig-Eyes shook his head. "Uh-uh."
Jack considered Brady's propensity for misdirection. Alli had told him that the real Ian Brady had a female accomplice. "How about a Myra Hindley?"
"No," Pig-Eyes said, "but we got a Myron Hindley. You think he's the one you're looking for?"
"Do the apartment doors have peepholes?" Jack said.
Pig-Eyes seemed confused. "Yeah, why?"
"Are all the door locks the same as yours?"
"You bet. House rules. I gotta be able to have access to all the apartments."
"I need a broom, a wire hanger, and the key to Myron Hindley's apartment," Jack said. As the manager went to fetch the items, Jack added, "If you hear any loud noises, it's just a truck backfiring."
MYRON HINDLEY's apartment was on the third floor, at the far end of the building. Hardly a surprise, since that's precisely where Jack would have situated himself if he were in Brady's place. He had two choices: The first was to go in the front door. The second was to climb up the fire escape to the apartment's two rear windows. Since it would be far easier for Brady to flee out the front door than climb out the window, he decided to make a frontal assault. He wished Nina were here to take the back of the building, but she was with Alli. Besides, ever since the explicit warning he'd received from Secretary Paull, he'd decided to continue after Brady