First Daughter - Eric van Lustbader [143]
Every six feet, bare bulbs were screwed into porcelain fixtures in the ceiling of the catwalk. On the third floor, Jack took off his shoes, covered his right hand with both socks. Reaching up, he unscrewed each lightbulb as he progressed down the catwalk. The circles of illumination winked out one by one. After he'd disabled the last bulb, he put on his socks and shoes. His feet were freezing, and he had to wait several minutes for the warmth to come back so that he had full maneuverability.
With only the ambient wash from streetlights and the odd passing vehicle to illuminate the catwalk, Jack set the gym bag down on the concrete, opened the zip, took out a small can of WD-40 and a pair of bolt cutters. Then he took off his coat, hung it on the wire hanger, buttoned it, put the collar up. Then he twisted the top of the hanger so it wound around the butt of the broom handle. He stood this makeshift scarecrow against the railing of the catwalk directly opposite the door to Myron Hindley's apartment.
Standing to one side of the door, he sprayed the key Pig-Eyes had given him with WD-40. It slid right in as he inserted it into the lock. But he didn't turn it over. Instead, he picked up the bolt cutter. He rapped on the door, very loudly. Just as he pulled his fist away, three bullets exploded through the door, ripping holes in Jack's overcoat. The broom crashed over onto the catwalk.
Jack turned the key, opened the door. As at the manager's apartment, the door opened only to the length of the chain, which Jack promptly snipped in two with the bolt cutter. Drawing his Glock, he kicked open the door. Expecting another salvo of shots, he held his ground. When none came, he pitched himself across the threshold curled in a ball, came out of it with his Glock aimed into the room.
"Relax," a voice said. "I've been expecting you."
Jack found himself confronting a figure sitting at his ease in an upholstered chair that had been pulled so that it faced the front door. Only one lamp was on, so that he was cast in half light, enough so that Jack could see the handgun gripped in one hand. It was lying on his right thigh, the barrel aimed casually at Jack.
"Sit down, Jack," the figure said. "It's been a long run. You must be tired."
Jack could feel the power of the man as a fish is drawn to the baited hook. "I don't know whether to call you Myron, Charlie, Ronnie, or Ian."
The figure shrugged. "What's in a name?"
"Who are you?" Jack said. He was struggling against an unnamed fear that had spread its black wings inside him. "What's your real name?"
"I didn't invite you here to answer questions," the figure said.
Jack felt a laugh forced out of him, but it sounded brittle and shaky. "You invited me?"
Brady shrugged. "Leelee told me you were on your way."
Now the fear took flight; he was in its shadow. As if he'd received a blow, he took an involuntary step backwards.
Brady bared his teeth. "Where d'you think she got all her ideas?"
Feeling a chair behind his knees, Jack sat down dazedly.
"Truth to tell, I've run you like a rat in a maze." In a trick of the light, Brady seemed to have inflated, to be larger than life. "Every time you got to another point in the maze, I moved your cheese." He waved the hand with the gun. "For instance, Calla Myers called me the moment you left the FASR office. I knew it was only a matter of time before you followed the clues I left to the Marmoset's house. Oh yes, I'm familiar with Gus's nickname for him."
Jack felt poleaxed. All the hard work he'd done to get here, the arduous path he'd followed, had been created by this monster. "It was all to get me here?" he said like a pupil to his professor. "Why?"
"That question I'll answer. I'm as tired as you are, Jack. I've had a good run, but now, like the president, my term has come to an end. And like the president, it's time for me to look to my lasting legacy."
He shifted slightly, and Jack could see him better now. Chris Armitage had described him well. He was handsome, distinguished even, with the kind