Germinal - Emile Zola [18]
NOTES
1. Émile Zola, Correspondance, ed. B. H. Bakker (10 vols, Montreal and Paris, 1978–95), vol. 5, p. 126.
2. Ibid., pp. 240–41.
3. Quotations from ‘Notes sur la marche générale de l’œuvre’ in Émile Zola, Les Rougon-Macquart (5 vols, Paris: Gallimard, Bibliothèque de la Pléiade, 1960–67), vol. 5, pp. 1738–41.
4. Zola, Correspondance, vol. 5, p. 249.
5. Ibid., p. 347.
Further Reading and Filmography
In English
All twenty novels in the Rougon-Macquart cycle have been translated into English, and the principal ones are available in Penguin Classics, as is Thérèse Raquin.
BIOGRAPHIES
Frederick Brown, Zola. A Life (New York, 1995; London, 1996)
F. W. J. Hemmings, The Life and Times of Émile Zola (London, 1977)
Graham King, Garden of Zola (London, 1978)
Alan Schom, Émile Zola. A Bourgeois Rebel (London, 1987)
Philip Walker, Zola (London, 1985)
CRITICAL STUDIES
David Baguley, Naturalist Fiction. The Entropic Vision (Cambridge, 1990)
— (ed.), Critical Essays on Émile Zola (Boston, 1986)
Elliot M. Grant, Émile Zola (New York, 1966)
—, Zola’s ‘Germinal’. A Critical and Historical Study (Leicester, 1962)
F. W. J. Hemmings, Émile Zola (2nd edn, Oxford, 1966; reprinted with corrections, 1970)
Irving Howe, ‘Zola: The Genius of Germinal’, Encounter 34 (1970), pp. 53–61
Robert Lethbridge and Terry Keefe (eds), Zola and the Craft of Fiction. Essays in Honour of F. W. J. Hemmings (Leicester, 1990; paperback edn, 1993)
Brian Nelson, Zola and the Bourgeoisie (London, 1983)
Naomi Schor, Zola’s Crowds (Baltimore, 1978)
Colin Smethurst, Émile Zola. ‘Germinal’ (London, 1974; repr. Glasgow, 1996)
Philip Walker, ‘Germinal’ and Zola’s Philosophical and Religious Thought (Amsterdam, 1984)
Angus Wilson, Émile Zola. An Introductory Study of his Novels (New York, 1952)
Richard H. Zakarian, Zola’s ‘Germinal’. A Critical Study of its Primary Sources (Geneva, 1972)
In French
CRITICAL EDITIONS
Germinal, ed. Colette Becker (Paris, 1989)
Germinal, ed. Henri Mitterand (Paris, 1978)
BIOGRAPHY
Henri Mitterand, Zola. I. Sous le regard d’Olympia (1840–1871), II. L’Homme de ‘Germinal’ (1871–1893), III. L’Honneur (1893–1902) (Paris, 1999–2002)
CRITICAL STUDIES
Colette Becker, Émile Zola: ‘Germinal’ (Paris, 1984)
—, La Fabrique de ‘Germinal’ (Paris, 1986)
Philippe Hamon, Le Personnel du roman: le système des personnages dans les ‘Rougon-Macquart’ d’Émile Zola (Geneva, 1983)
Henri Mitterand, Le Regard et le signe (1987)
—, Zola: L’Histoire et la fiction (1990)
—, Zola et le naturalisme (1986)
Michel Serres, Feux et signaux de brume: Zola (Paris, 1975)
FILMOGRAPHY
La Grève [The Strike], dir. Ferdinand Zecca (France, 1903)
Au pays noir [In the Black Country], dir. Lucien Nonguet (France, 1905)
Au pays des ténèbres [In the Land of Darkness], dir. Victorin Jasset (France, 1912)
Germinal, dir. Albert Capellani (France, 1913)
Germinal, anonymous direction (France, 1920)
Germinal, dir. Yves Allégret (France, 1963)
Germinal, dir. Claude Berri (France, 1993)
Note on the Translation
This translation is based on the text of Germinal edited by Henri Mitterand and published in vol. iii (1964) of Émile Zola, Les Rougon-Macquart (5 vols, Paris: Gallimard, Bibliothèque de la Pléiade, 1960–67) and as a separate volume (Gallimard, Folio, 1978).
Germinal was first translated into English in a pirated, American edition published by Belford, Clarke & Co. in Chicago in 1885. Given the extensive mistranslations