Glasshouse - Charles Stross [74]
“Okay,” she says gratefully, and I go back out and get to work.
First I pile yesterday’s returns on the trolley and push them around the shelves, filing them as fast as I can. It only takes a few minutes—most of the inmates here don’t realize that reading is a recreational option, and only a handful are borrowing regularly. But then I skip the dusting and cleaning I’m supposed to do today. Instead, I grab my bag from behind the reception station, dump it on the bottom shelf of the trolley, and head for the shelves in the reference section next to the room where the Church documents are stored.
Into the bag goes a dictionary of sexual taboos, held in the reference shelves because some weird interpretation of dark age mores holds that libraries wouldn’t lend such stuff out. It’s my cover story in case I’m caught, something naughty but obviously trivial. Then I leave the trolley right where it is with the bag tucked away on the bottom shelf, where it’s not immediately obvious. I head back to the front desk. My palms are sweating. Fiore is due to visit the archive, which means advancing my plans. Janis has always handled him before—but she’s ill, I’m running the shop, and there’s no point delaying the inevitable. I’ve got all my excuses prepared, anyway. I’ve barely been able to sleep lately for rehearsing them in my head.
Around midmorning a black car pulls up and parks in front of the library steps. I put down the book I’m reading and stand up to wait behind the counter. A uniformed zombie gets out of the front and opens the rear door, standing to one side while a plump male climbs out. His dark, oily hair shines in the daylight: The white slash of his clerical collar lends his face a disembodied appearance, as if it doesn’t quite belong to the same world as the rest of his body. He walks up the steps to the front door and pushes it open, then walks over to the desk. “Special reference section,” he says tersely. Then he looks at my face. “Ah, Reeve. I didn’t see you here before.”
I manage a sickly smile. “I’m the trainee librarian. Janis is ill this morning, so I’m looking after everything in her absence.”
“Ill?” He stares at me owlishly. I look right back at him. Fiore has chosen a body that is physically imposing but bordering on senescence, in the state the ancients called “middle age.” He’s overweight to the point of obesity, squat and wide and barely taller than I am. His chins wobble as he talks, and the pores on his nose are very visible. Right now his nostrils are flared, sniffing the air suspiciously, and his bushy eyebrows draw together as he inspects me. He smells of something musty and organic, as if he’s spent too long in a compost heap.
“Yes, she has morning sickness,” I say artlessly, hoping he won’t ask where she is.
“Morning sick—oh, I see!” His frown vanishes instantly. “Ah, the trials we have to suffer.” His voice oozes a slug-trail of sympathy. “I’m sure this must be hard for her, and for you. Just take me to the reference room, and I’ll stay out of your way, child.”
“Certainly.” I head for the gate at the side of the station. “If you’d like to follow me?” He knows exactly where we’re going, the old toad, but he’s a stickler for appearances. I lead him to the locked door in the reference section, and he produces a small bunch of keys, muttering to himself, and opens it. “Would you like a cup of tea or coffee?” I ask hesitantly.
He pauses and gives me the dead-fish stare again. “Isn’t that against library regulations?” he asks.
“Normally yes, but you’re not going to be in the library proper,” I babble, “you’re in the archive and you’re a responsible person so I thought I’d offer—”
He stops being interested in me. “Coffee will be fine. Milk, no sugar.” He disappears into the room, leaving his keys with the lock.
Now. Heart pounding, I head for the staff room. Janis is snoozing when I open the door. She sits up with a start, looking pale. “Reeve—”
“It’s all right,” I say, crossing over to the kettle and filling it up. “Fiore’s here, I let him in. Listen,