Going Dutch_ How England Plundered Holland's Glory - Lisa Jardine [190]
21 Cit. M. Keblusek, ‘“A divertissiment of little plays”: Theater aan de Haagse hoven van Elizabeth van Bohemen en Mary Stuart’, in J. de Jongste, J. Roding and B. Thijs (eds), Vermaak van de elite in de vroegmoderne tijd (Hilversum: Verloren, 1999), pp.190–202; 198.
22 N.N.W. Akkerman and P.R. Sellin, ‘A Stuart Masque in Holland, Ballet de la Carmesse de La Haye (1655)’, Parts 1 and 2, Ben Jonson Journal 11 (2004), 207–58; 227 and 12 (2005), 141–64.
23 Ibid., Part 1, p.227.
24 Ibid., p.228.
25 Ibid., p.229.
26 Ibid., p.231.
27 On such entertainments see M. Keblusek, ‘“A divertissment of little plays”: Theater aan de Haagse hoven van Elizabeth van Bohemen en Mary Stuart’, in J.A.F. de Jongste et al., Vermaak van de Elite in de Vroegmoderne Tijd (Hilversum: Uitgeverij Verloren, 1999).
28 See N.N.W. Akkerman, The Letters of the Queen of Bohemia (unpublished dissertation, Free University of Amsterdam, 2008).
29 Akkerman and Sellin, ‘A Stuart Masque in Holland’, Part 2, 158.
30 Ibid., pp.142–3.
31 For Huygens’s musical dealings with Brussels, see R. Rasch, ‘Constantijn Huygens in Brussel op bezoek bij Leopold Wilhelm van Oostenrijk 1648–1656’, Revue belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap 55, ‘six siècles de vie musicale à Bruxelles/Zes eeuwen muziekleven te Brussel’ (2001), 127–46.
32 See Lynn Hulse, ‘Cavendish, William, first Duke of Newcastle upon Tyne (bap. 1593, d. 1676)’, Oxford Dictionary of National Biography, Oxford University Press, Sept 2004; online edn, May 2006 [http://www.oxforddnb.com.catalogue.ulrls.lon.ac.uk:80/view/article/4946, accessed 9 April 2007].
33 See above, Chapter 4.
34 In October 1648 Frederik Nassau-Zuijlenstein (natural son of Frederik Hendrik) married Mary Killigrew, lady-in-waiting to Mary Stuart, at The Hague, and there was a large gathering of English nobility.
35 K. Whitaker, Mad Madge: Margaret Cavendish, Duchess of Newcastle, Royalist, Writer and Romantic (London: Chatto & Windus, 2003), p.113.
36 On Bolsover see T. Mowl, Architecture Without Kings: The Rise of Puritan Classicism under Cromwell (Manchester: Manchester University Press, 1995), pp.167–9. See also T. Raylor, ‘“Pleasure reconciled to virtue”: William Cavendish, Ben Jonson, and the decorative scheme at Bolsover Castle’, Renaissance Quarterly 52 (1999), 402–39.
37 L. Worsley, U. Härting and M. Keblusek, ‘Horsemanship’, in Beneden and de Poorter, Royalist Refugees, pp.37–54.
38 J. Knowles, ‘“We’ve lost, should we lose too our harmless mirth?” Cavendish’s Antwerp Entertainments’, in ibid., pp.70–7.
39 On Lanier’s career in the household of Charles I see J. Brotton, The Sale of the Late King’s Goods (London: Macmillan, 2006).
40 Knowles, ‘We’ve lost, should we lose too our harmless mirth?’, p.77.
41 5/15 September 1653.
42 Huygens to Margaret Cavendish, 9/19 September 1671. On this exchange of letters see now N.N.W. Akkerman and Marguérite Corporaal, ‘Mad Science Beyond Flattery: The Correspondence of Margaret Cavendish and Constantijn Huygens’, Early Modern Literary Studies Special Issue 14 (May, 2004), 2.1–21 [http://purl.oclc.org/emls/si-14/akkecorp.html].
43 Huygens included some poems in English (now lost).
44 Antwerp, 20 March 1657.
45 27 March 1657.
46 30 March 1657.
47 L. Brodsley, C. Frank and J.W. Steeds, ‘Prince Rupert’s drops’, Notes and Records of the Royal Society 41 (1986), 1–26.
48 This report was published by Christopher Merrett as an appendix to his translation of Antonio Neri’s Art of Glass (1662), pp.353–62.
49 R. Hooke, ‘Observatiion vii. Of some Phaenomena of Glass Drops’, Micrographia or Some Physiological Descriptions of Minute Bodies made by Magnifying Glasses with Observation and Inquiries thereupon (London, 1665), pp.33–44.
8: Masters of All They Survey
1 For a vivid sense of the new consumer culture getting under way