Half a Life_ A Novel - V. S. Naipaul [75]
At last we came to the place Álvaro had been looking for. I imagined it was a place with facilities. He said, “It's as our elders say. If you ask often enough, you can get to Rome.” We were at the edge of the town, where the asphalt roads ended and dirt began, much cut up by the rains. It was dark, with only a few scattered lights, and so quiet that the slamming of the Land Rover doors was like a disturbance.
We had stopped in front of a big warehouse-like building. High at one corner was a metal-shaded bulb misty and twinkling with flying ants (it was the season). Other cars were parked in the space in front; and we saw now that there were watchmen of a sort (or just watchers) sitting on a half-wall on one side of the warehouse lot, where the land fell away. One of these watchers spoke directions to us, and we went down a concrete passage between the warehouse and the half-wall to another warehouse-like building. We heard music inside. A small door opened, a man with a truncheon let us in, and we both gave him money. The entrance passage was narrow and dark and it made a hairpin bend before it took us to the main room. Blue light bulbs lit up a small dancing area. Two couples were dancing—Portuguese men, African women—and they were reflected, dimly, in the dark mirror or mirror-tiles that covered the wall at the end of the dancing area. The room was full of tables with low shaded lights, but it wasn't easy to see how many of them were occupied. We didn't move in far. We sat at a table on the edge of the dancing area. Across the way were the girls, like the courtesans of the previous afternoon who had been pleased to walk down the street in their pretty clothes, turning heads. When I got used to the light I saw that many of the girls on the other side of the dancing area were not village girls from the interior, but were what we called Mohammedans, people of the coast, of remote Arab ancestry. Two African waiters and a thin Portuguese man in a sports shirt—the owner, I suppose—moved between the tables. When the Portuguese man came close to us I saw that he was not young, had very quiet eyes, and seemed strangely detached from everything.
I wish I had his detachment. But I was not trained for this kind of life, and I was full of shame. The girls were all African. It had to be like that, I suppose; but I wondered whether the two African waiters didn't suffer a little. And the girls were so young, so foolish, with so little idea, as I thought, of the way they were abusing their own bodies and darkening their lives. I thought with old unhappiness of things at home. I thought of my mother and I thought of my poor father who had hardly known what sex was. I thought of you, too, Sarojini. I imagined that the girls might be you, and my heart shrank.
Álvaro himself was subdued. He had been subdued as soon as he had entered the dark warehouse. He was excited by village sex, with every month a fresh crop of innocent girls who had had their first period and were ready to stick up their little breasts at him. What was around us in this half-converted warehouse was different. I don't suppose a place like this, with facilities, would have existed before the army came. It would have been new to Álvaro. And I suppose that though he was casting himself as my guide, he really was a learner, a little nervous, and he needed my support.
We drank beer. The feeling of shame went. I looked at the dancers in the blue light, and their dim reflections in the mysterious space of the wall-high dark mirror. I had never seen Africans dance. With the kind of estate life I had been living there hadn't been the occasion. Immediately as these girls began to dance they were touched by a kind of grace. The gestures were not extravagant; they could be very small. When a girl danced she incorporated everything into her dance—her conversation with her partner, a word spoken over her shoulder to a friend, a laugh. This was more than pleasure; it was as though some deeper spirit was coming out in the dance. This spirit