Half a Life_ A Novel - V. S. Naipaul [76]
Álvaro, with a little grimace of self-mockery which didn't fool me, began to dance with one of the girls. At first he clowned on the floor, looking at himself in the mirror. But very soon he became dead serious, and when he came back to our table he was a changed man. His eyes were hollow with longing. He frowned at his beer glass. Then he said, with an affectation of anger, as though everybody in that room was holding him back, “I don't know what thoughts you have on the subject, Willie. But now that we are in this bloody place I'm going to have a damned little something.” And, frowning hard, like a man in a rage, he went with his dancing partner to the door in the dark far part of the room.
I might have just stayed and sipped beer and waited for Álvaro. But the quiet-eyed Portuguese man knew his business, and three or four or five minutes later, at a signal from him, one of the girls came and sat at the table. Below her fussy clothes she was quite small. Below the make-up, the rouge on the high cheekbones, the white-blue paint on the eyelids, she was very young. I looked at her “Arab” face and, only a half or a quarter trying to stimulate myself, wondered what about her would have aroused Álvaro. When she got up and invited me to follow her, I did. We went to the little door in the dark corner. There were a number of cubicles off a concrete passage. The partitions did not go all the way to the ceiling, and all the cubicles were served by two naked bulbs high on the back wall. I supposed that if I listened hard enough I might have heard Álvaro. The warehouse had been converted and given its facilities in the cheapest way. The place could have closed down at any time, and the owner would not have lost.
Without her stiff clothes the girl was really very small. But she was firm and hard; she would have done much physical work as a child. Ana was not like that; Ana was bony and frail. I felt the girl's breasts; they were small and only slightly less hard than the rest of her. Álvaro would have liked those breasts; it was possible to imagine the stiff young nipples sticking up below a cheap village cotton dress. But the nipples of this little girl were broad and spongy at the tip: she had already had a child or children. I couldn't feel any longing for her. Even if I did, all the old ghosts were already with me, the ghosts of home, the ghosts of London eleven or twelve years before, the awful prostitute in Soho, the big hips of June on the mattress on the floor in the slum house in Notting Hill, all the shame and incompetence. I didn't think that anything was going to happen to me with the poor little girl below me on the cheap, army-reject mattress.
So far the girl's eyes had been blank. But then, just at the moment when I was about to fail, an extraordinary look of command and aggression and need filled those eyes, her body became all tension, and I was squeezed by her strong hands and legs. In a split-second—like the split-second of decision when I looked down a gun-sight—I thought, “This is what Álvaro lives for,” and I revived.
Álvaro and I were both subdued afterwards. Álvaro became himself again, bouncy and knowing, only when we were near the estate house. The pressure lamp had been left on for me above the semi-circular entrance steps. Ana was asleep in her grandfather's big carved bed. Two hours or so before I had thought of her in an unfair and belittling way. I needed a shower before I could lie down beside her. The antiquated fittings in the bathroom—the Portuguese-made geyser, the tricky shower-head, the minutely cracked wash-basin with decorated metal supports—still made me feel a stranger. They made me think of everyone who had slept in that big carved