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High on the Hog_ A Culinary Journey From Africa to America - Jessica B. Harris [98]

By Root 478 0
manifested itself in what could be termed a “soul” movement. Much ink has flowed on the origins of the word “soul” as it applies to the African American experience in the United States, and more will almost certainly flow, but the 1960s created a place where for the first time in many lives there was a palpable pride in the uniqueness of the African American experience in the United States. The word “soul” was at first used among blacks to establish a cultural community, as in “soul brother” and “soul sister.” It was initially used to denote kinship in the struggle, in much the same way as the terms “brother” and “sister” had been honorifics in the black church for generations. However, as with many other African American cultural innovations, the term was rapidly coopted by the mainstream, and soon there were soul combs on the market along with soul T-shirts, soul hairdos, soul handshakes, and certainly soul music. The term “soul food” harks back to this era, when everything that was black and of the moment had soul, and the word’s use signaled a change in attitude toward the food of the African American South.

Soul food has been defined as the traditional African American food of the South as it has been served in black homes and restaurants around the country, but there is wide-ranging disagreement on exactly what that food was. Was it solely the food of the plantation South that was fed to the enslaved: a diet of hog and hominy supplemented with whatever could be hunted or foraged or stolen to relieve its monotony? Was it the traditionally less-noble parts of the pig that were fed to the enslaved, like the chitterlings and hog maws and pigs’ feet, the taste for which had been carried to the North by those who left the South in search of jobs? Was it the foods that nourished those who danced at rent parties in Harlem and who went to work in the armament factories during World War II? Was it the fried chicken that was served by the waiter-carriers who hawked their wares at train stations in Virginia or the chicken that was packed in boxes and nourished those who migrated to Kansas and other parts of the West? Was it the smothered pork chop that turned up in the African American restaurants covered in rich brown gravy or the fluffy cornbread that accompanied it?

Soul food, it would seem, depends on an ineffable quality. It is a combination of nostalgia for and pride in the food of those who came before. In the manner of the Negro spiritual “How I Got Over,” soul food looks back at the past and celebrates a genuine taste palate while offering more than a nod to the history of disen-franchisement of blacks in the United States. In the 1960s, as the history of African Americans began to be rewritten with pride instead of with the shame that had previously accompanied the experience of disenfranchisement and enslavement, soul food was as much an affirmation as a diet. Eating neckbones and chitterlings, turnip greens and fried chicken, became a political statement for many, and African American restaurants that had existed since the early part of the century were increasingly being patronized not only by blacks but also by those in sympathy with the movement. In the North, those who patronized soul food restaurants also included homesick white Southerners as well as the occasional white liberal who wanted a taste of some of the foods from below the Mason-Dixon Line.

As had often been the case in African American society, there was a culinary class divide that must be acknowledged. At one pole were those whose social aspirations led them to eat dishes that emulated the dietary habits of mainstream America and Europe. At the other were those who consumed what was a more traditional African American diet: one that harked back to the slave foods of the South. In the 1960s, soul food based on the slave diet of hog and hominy became a political statement and was embraced by many middle-class blacks who had previously publicly eschewed it as a relic of a slave past. It became popular and even celebrated.

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