In Darkest England and The Way Out [89]
cot made up and another folded against the wall. Against a door, which must communicate with the front room, in which we saw the disagreeable-looking men sitting, is a wooden table for the hand-basin. A small trunk and a barrel of clothing complete the inventory.
Em's sister in the slum work gives us a sweet shy welcome. She is a Swedish girl, with the fair complexion and crisp, bright hair peculiar to the Scandinavian blonde-type. Her head reminds me of a Grenze that hangs in the Louvre, with its low knot of rippling hair, which fluffs out from her brow and frames a dear little face with soft childish outlines, a nez retrousse, a tiny mouth, like a crushed pink rose, and wistful blue eyes. This girl has been a Salvationist for two years. During that time she has learned to speak, read, and write English, while she has constantly laboured among the poor and wretched. The house where we find ourselves was formerly notorious as one of the worst in the Cherry Hill district. It has been the scene of some memorable crimes, and among them that of the Chinaman who slew his Irish wife, after the manner of "Jack the Ripper," on the staircase leading to the second floor. A notable change has taken place in the tenement since Mattie and Em have lived there, and their gentle influence is making itself felt in the neighbouring houses as well. It is nearly eight o'clock when we sally forth. Each of us carries a handful of printed slips bearing a text of Scripture and a few words of warning to lead the better life.
"These furnish an excuse for entering places where otherwise we could not go," explains Em.
After arranging a rendezvous, we separate. Mattie and Liz go off in one direction, and Em and I in another. From this our progress seems like a descent into Tartarus. Em pauses before a miserable-looking saloon, pushes open the low, swinging door, and we go in. It is a low-ceiled room, dingy with dirt, dim with the smoke, nauseating with the fumes of sour beer and vile liquor. A sloppy bar extends along one side, and opposite is a long table, with indescribable viands littered over it, interspersed with empty glasses, battered hats, and cigar stumps. A motley crowd of men and women jostle in the narrow space. Em speaks to the soberest looking of the lot. He listens to her words, others crowd about. Many accept the slips we offer, and gradually as the throng separates to make way, we gain the further end of the apartment. Em's serious, sweet, saint-like face I follow like a star. All sense of fear slips from me, and a great pity fills my soul as I look upon the various types of wretchedness.
As the night wears on, the whole apartment seems to wake up. Every house is alight; the narrow sidewalks and filthy streets are full of people. Miserable little children, with sin-stamped faces, dart about like rats; little ones who ought to be in their cribs shift for themselves, and sleep on cellar doors and areas, and under carts; a few vendors are abroad with their wares, but the most of the traffic going on is of a different description. Along Water Street are women conspicuously dressed in gaudy colours. Their heavily-painted faces are bloated or pinched; they shiver in the raw night air. Liz speaks to one, who replies that she would like to talk, but dare not, and as she says this an old hag comes to the door and cries: "Get along; don't hinder her work! During the evening a man to whom Em has been talking has told her: --"You ought to join the Salvation Army; they are the only good women who, bother us down here. I don't want to lead that sort of life; but I must go where it is light and warm and clean after working all day, and there isn't any place but this to come to" exclaimed the man. "You will appreciate the plea to-morrow when you see how the people live," Em says, as we turn our steps toward the tenement room, which seems like an oasis of peace and purity after the howling desert we have been wandering in. Em and Mattie brew some oatmeal gruel, and being chilled and faint we enjoyed a cup of it.
Em's sister in the slum work gives us a sweet shy welcome. She is a Swedish girl, with the fair complexion and crisp, bright hair peculiar to the Scandinavian blonde-type. Her head reminds me of a Grenze that hangs in the Louvre, with its low knot of rippling hair, which fluffs out from her brow and frames a dear little face with soft childish outlines, a nez retrousse, a tiny mouth, like a crushed pink rose, and wistful blue eyes. This girl has been a Salvationist for two years. During that time she has learned to speak, read, and write English, while she has constantly laboured among the poor and wretched. The house where we find ourselves was formerly notorious as one of the worst in the Cherry Hill district. It has been the scene of some memorable crimes, and among them that of the Chinaman who slew his Irish wife, after the manner of "Jack the Ripper," on the staircase leading to the second floor. A notable change has taken place in the tenement since Mattie and Em have lived there, and their gentle influence is making itself felt in the neighbouring houses as well. It is nearly eight o'clock when we sally forth. Each of us carries a handful of printed slips bearing a text of Scripture and a few words of warning to lead the better life.
"These furnish an excuse for entering places where otherwise we could not go," explains Em.
After arranging a rendezvous, we separate. Mattie and Liz go off in one direction, and Em and I in another. From this our progress seems like a descent into Tartarus. Em pauses before a miserable-looking saloon, pushes open the low, swinging door, and we go in. It is a low-ceiled room, dingy with dirt, dim with the smoke, nauseating with the fumes of sour beer and vile liquor. A sloppy bar extends along one side, and opposite is a long table, with indescribable viands littered over it, interspersed with empty glasses, battered hats, and cigar stumps. A motley crowd of men and women jostle in the narrow space. Em speaks to the soberest looking of the lot. He listens to her words, others crowd about. Many accept the slips we offer, and gradually as the throng separates to make way, we gain the further end of the apartment. Em's serious, sweet, saint-like face I follow like a star. All sense of fear slips from me, and a great pity fills my soul as I look upon the various types of wretchedness.
As the night wears on, the whole apartment seems to wake up. Every house is alight; the narrow sidewalks and filthy streets are full of people. Miserable little children, with sin-stamped faces, dart about like rats; little ones who ought to be in their cribs shift for themselves, and sleep on cellar doors and areas, and under carts; a few vendors are abroad with their wares, but the most of the traffic going on is of a different description. Along Water Street are women conspicuously dressed in gaudy colours. Their heavily-painted faces are bloated or pinched; they shiver in the raw night air. Liz speaks to one, who replies that she would like to talk, but dare not, and as she says this an old hag comes to the door and cries: "Get along; don't hinder her work! During the evening a man to whom Em has been talking has told her: --"You ought to join the Salvation Army; they are the only good women who, bother us down here. I don't want to lead that sort of life; but I must go where it is light and warm and clean after working all day, and there isn't any place but this to come to" exclaimed the man. "You will appreciate the plea to-morrow when you see how the people live," Em says, as we turn our steps toward the tenement room, which seems like an oasis of peace and purity after the howling desert we have been wandering in. Em and Mattie brew some oatmeal gruel, and being chilled and faint we enjoyed a cup of it.