In Search of Lost Time, Volume II_ Within a Budding Grove - Marcel Proust [14]
He offered me absolutely no opening to the Revue des Deux-Mondes, but put a number of questions to me about my life and my studies, and about my tastes which I heard thus spoken of for the first time as though it might be a reasonable thing to obey their promptings, whereas hitherto I had always supposed it to be my duty to suppress them. Since they inclined me towards literature, he did not dissuade me from it; on the contrary, he spoke of it with deference, as of some venerable and charming personage whose select circle, in Rome or at Dresden, one remembers with pleasure and regrets only that one’s multifarious duties in life enable one to revisit so seldom. He appeared to envy me, with an almost rakish smile, the delightful hours which, more fortunate than himself and more free, I should be able to spend with such a mistress. But the very terms that he employed showed me Literature as something entirely different from the image that I had formed of it at Combray, and I realised that I had been doubly right in renouncing it. Until now, I had concluded only that I had no gift for writing; now M. de Norpois took away from me even the desire to write. I wanted to express to him what had been my dreams; trembling with emotion, I was painfully anxious that all the words I uttered would be the sincerest possible equivalent of what I had felt and had never yet attempted to formulate; which is to say that my words were very unclear. Perhaps from a professional habit, perhaps by virtue of the calm that is acquired by every important personage whose advice is commonly sought, and who, knowing that he will keep the control of the conversation in his own hands, allows his interlocutor to fret, to struggle, to toil to his heart’s content, perhaps also to show off the character of his face (Greek, according to himself, despite his sweeping whiskers), M. de Norpois, while anything was being expounded to him, would preserve a facial immobility as absolute as if you had been addressing some ancient—and deaf—bust in a museum. Until suddenly, falling upon you like an auctioneer’s hammer or a Delphic oracle, the Ambassador’s voice, as he replied to you, would be all the more striking in that nothing in his face had allowed you to guess what sort of impression you had made on him, or what opinion he was about to express.
“Precisely,” he suddenly began, as though the case were now heard and judged, after having allowed me to stammer incoherently beneath those motionless eyes which never for an instant left my face; “a friend of mine has a son whose case, mutatis mutandis, is very much like yours.” He adopted in speaking of our common predisposition the same reassuring tone as if it had been a predisposition not for literature but for rheumatism, and he had wished to assure me that it would not necessarily prove fatal. “He too chose to leave the Quai d’Orsay, although the way had been paved for him there by his father, and without caring what people might say, he settled down to write. And certainly, he’s had no reason to regret it. He published two years ago—of course, he’s much older than you—a book about the Sense of the Infinite on the western shore of Lake Victoria Nyanza, and this year he has brought out a short treatise, less weighty but written with a lively,